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The reason I don't drink is that the drinking lifestyle robs me of my musical intensity and sharpness. I live a super-healthy lifestyle not because it's sensible or that I'm contrite, but because I need to keep my focus on the music I'm making. To do that, I need to be wide awake.
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There have been plenty of times when I've been a total dick like everybody else, you know, I mean I wanted to be a little rock'n'roller, and I was, and it was great. I had a to-do list of like 'Thou shalt wear sunglasses indoors at all times.' Done. 'Thou shalt take drugs and have a great time.' Done. 'Thou shalt crash a big car into a wall.' Done.
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I seem to attract and be attracted to very willful, fascinating people.
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Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?
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My heroes would never let me down; they never have. I've never been disappointed by any of them.
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In this business, things go in waves, and I might make a record every three years. That's enough for me; that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one.
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I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
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I did make a lot of my own clothes. I used to love to sew, so I made my own shirts and bell bottoms and modified my own clothes, which is what we did during the punk period.
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For 35 years, I've said, 'I'll never go solo.' But after a period of time - and this isn't just for an artist, but for anybody - all the things you never wanted to do eventually become the only things left that you haven't done. So they start looking pretty interesting.
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I hope there is an edge to what I do.
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I bought a Stella McCartney jacket in Salt Lake City. It's nice. It looks like a pea coat. I love Stella's stuff, so wherever I go in the world, I will always go in and buy her stuff.
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Look, as long as we can make records and sell enough so we can do some shows, that's all I want. You know what? I just want to play guitar and be in a band. Same as I always did.
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I'm nothing without a band. I always feel like I'm part of the road crew until I'm on stage.
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I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
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As far as success goes, I've never really got too excited about losing or winning.
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I dont like to waste notes, not even one. I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgrens soloing, because hes so melodic. I love John Lennons rhythm playing, and George Harrison was an incredible guitarist.
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I think Bob Dylan's a good songwriter. I think he's the best songwriter in the world probably.
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As a youngster I used to try to pick up any bits of wisdom about the guitar I could. It's not like now where you have books and books about every aspect of anything. Any little pearl of wisdom was welcome back then.
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In fact, I've only been to a couple of other people's dinner parties. But I must admit, I really enjoyed the few I've been to, but I'm not really on that circuit.
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I'd really rather just be the anonymous Mr. Nobody who I always was up until I first went onstage. I liked that.
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Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.
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Being on tour sends me crazy, I drink too much and out comes the John Mcenroe in me.
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If you're purely derivative in what you do, then you could very easily get lost along the way. But for me, I might want to even do something else for a while.
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I met my manager when I was 17, when I didn't have enough money to buy a set of guitar strings. There are not very many people who are looking out for you and being in business with you when you're at that stage. And it's not in my nature to think that success as a musician makes you any different from anybody else.