Pretenders Quotes
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I'll make music as long as I can sing and stand up and hold a guitar and I feel like doing this.
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I like Madonna a lot. I think she's really good, and I think she's a good singer.
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I moved to Portland because Modest Mouse is there. I didn't necessarily mean to live there permanently, but I've got a really good feeling for it. The sensibility there really suits me. I happened to have grown up in Manchester, a city that was a pretty cool place to be a musician. It's close to Portland in a lot of ways.
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I don't know any guitar player, any of the real greats, who don't rate Joni Mitchell up there with the best of them.
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I just liked music, and I really liked rock guitar. I didn't think I was going to be a rock guitar player, because I was a girl. I would've been too shy to play with guys.
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All these fifty-year-old guys wearing baseball caps and shorts and acting like children. It winds me up. Men don't have to take responsibility anymore. Most of the guys I know would punch me on the nose for saying this, but maybe we do have to bring back conscription.
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I didn't form a group to perform Cilla Black songs.
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Everyone has their set of problems and I'm certainly not going to sensationalize mine or try to evoke pity or sympathy out of people because I don't think they warrant that sort of thing. That's my private karma that I have to work out.
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Real success is not being on the cover of a magazine; it's knowing that you've done, and enjoyed doing, what you set out to do.
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The only person stopping you from doing something is yourself, and looking for excuses all the time just gets in the way of obtaining your own goals. It's like the writer who keeps getting up and straightening the pictures in the room.
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I had a feeling about what I wanted to say, and I wasn't really qualified to discuss real things out of America because I didn't grow up there.
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Let's face it, we do have this mating instinct that just won't quit, you know? Just when you think it's safe to come out, there it is again. You're driving down the street, and it's the last thing on your mind, and all of a sudden you're like, "Oh, he looks nice," and you're up a lamppost.
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I can only cook brown rice and vegetables, so I don't get too many people coming over for dinner parties or anything.
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How much did you get for your soul?
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If you're an artist, you need to work. It doesn't matter how old you are, who you are. It doesn't matter if you're 12: if you draw, you draw. If you're 85 and you paint, you paint.
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When you're young, you obviously have people you look up to. People like Andrew Oldham and Nile Rodgers inspired me then, and they inspire me now. But at some point, you start to try to be the best you can be and you're not copying anybody else. I'm just doing it in public, and my work needs to reflect that as well.
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I just want to play guitar and be in a band. Same as I always did.
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Having your own space is getting rarer and rarer these days. It's dangerous giving someone like me - who grew up fantasizing about studios and records - the freedom and resources to build your own studio. I would just live in it, which is what I pretty much did for all of the '90s.
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You're lucky if you find something that makes you feel like yourself; that's the one time that you feel like you know who you are. Most people are struggling to find that out all the time.
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I don't know if I feel like an outsider or an insider; I just feel like I always did. I don't have one of those stories where I felt like no one understood me.
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Realize your own potential and try to live out your expectations of your potential.
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My policy is to do the least amount to get by.
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Coming from a working-class background, where my father did manual labor, was a good grounding; I was obsessed with getting a job or getting out of the house at 15.
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I don't really care what music's made on - I love guitars, but I'm fine with great electronic music.