Johnny Marr Quotes
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The reason I don't drink is that the drinking lifestyle robs me of my musical intensity and sharpness. I live a super-healthy lifestyle not because it's sensible or that I'm contrite, but because I need to keep my focus on the music I'm making. To do that, I need to be wide awake.
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I seem to attract and be attracted to very willful, fascinating people.
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There have been plenty of times when I've been a total dick like everybody else, you know, I mean I wanted to be a little rock'n'roller, and I was, and it was great. I had a to-do list of like 'Thou shalt wear sunglasses indoors at all times.' Done. 'Thou shalt take drugs and have a great time.' Done. 'Thou shalt crash a big car into a wall.' Done.
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I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
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I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
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I dont like to waste notes, not even one. I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgrens soloing, because hes so melodic. I love John Lennons rhythm playing, and George Harrison was an incredible guitarist.
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Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.
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In the earlier part of the 90s, I was really hell-bent on discovering how new technology works and how to make records entirely without a producer, which isn't necessarily what fans wanted. But I had to do it because I felt it was in my destiny or whatever.
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I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.
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I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.
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I really like Howler and an American band on Sub Pop called Jaill. There will always be new bands that I like, it's always been that way. I still go out to shows. One thing I don't like now is this idea that all singing needs to be expressed at maximum volume with so much bullshit sentimentality - it's pervading regular pop music.
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Birkenstock desert boots have been a part of pop culture since the beatniks. I made such a fuzz about them being discontinued that the company send me an 'lifetime supply', which initially turned out to be seven pairs at two years apiece. They weren’t giving me very long. I think that’s why I gave up smoking.
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Guitars have been the obsession of my life. I first picked one up at the age of four and Ive been a guitar junkie ever since.
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Navigating with a partner makes it half as difficult. We keep each other in check. It's not like she [Angie Marr] was ever a quiet little wifey wife behind the scenes. She's exactly like me. She's very smart. We're very lucky that we've always wanted the same things. She loves guitar music, she loves important records, and our lives are about records and shows and great bands.
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We're in a society where no one's putting a gun to your head and making you use your phone, but some people start to crack. "I Want the Heartbeat" is about the downside of it. People can and do break up friendships and relationships because of the internet, and that can't be good. You have to find a balance. You can't let it be the boss of you.
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People say to me, 'Do you dye your hair?' and I say, 'Well, does f**king Siouxsie Sioux? Does Bowie?'. Of course I'm going to have a decent haircut. It's one of the first things I learnt to do - get a few songs together and get your hairstyle right.
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I think it's a shame when pop culture forgets that theatricality is a big part of it. When Neil Young is fumbling around in his pocket looking for the right harmonica, it doesn't matter that he's a dude in the hat who is a man of the people - there's a theatricality there. You don't have to be David Bowie or the Kabuki theater to have that theatricality going on.
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The actual process of travel I really like, because that time on planes and in airports makes me feel like I'm moving around like a ghost. There's a certain aspect of justifiable downtime. I really feel like being online is so pervasive now.
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Now chart music is a genre all of its own and it's slipped away from what I understand pop music as. It's pretty difficult to take; it clogs up the airwaves.
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Some cities are really boring and straight.
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When I crashed my BMW and managed to walk away pretty much unscathed, it was a turning point. I'd been living the life, and when people see photos of the car wreck, they can't believe I got away with it. It was like a fog had lifted. I stopped drinking a bottle of Tequila before grabbing my car keys. It was time to wise-up and get a haircut.
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Q: What’s the best piece of advice you’ve ever received?JM: Never get into a situation you can’t get out of. I really have stuck to it, because it’s good advice for all walks of live.
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Quién te conoce
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Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?