Jonathan Davis (JDevil) Quotes
Quotes to Explore
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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Music means different things to different people and sometimes even different things to the same person at different moments of his life.
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I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I actually spend very little time listening to any new music.
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If there's anything that would unite the world, it would be music.
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My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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Music evokes so many feelings in us, memories, nostalgia, things that are connected to our past.
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Painting is a source of endless pleasure, but also of great anguish.
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A wise man will make haste to forgive, because he knows the true value of time, and will not suffer it to pass away in unnecessary pain.
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There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
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I think for a horror experience to be really scary, something has to be a bit of a shock and a surprise. It's like something you've never experienced before.
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Many of the poets I most admire have a way of embodying their peculiar obsessions via landscape that can sometimes seem magical.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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I don't like painting flowers in my music. I like painting guts and pain.
