Jonathan Demme Quotes
I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff.

Quotes to Explore
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At one level, an award is an endorsement, a confirmation, but I always find myself looking askance at awards and good reviews, as though another Garry Disher had earned them.
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I am practically in the employ of Mr. Nobel. I have to meet everyone he sends my way.
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Nature also forges man, now a gold man, now a silver man, now a fig man, now a bean man.
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Our company sells about five to six million pounds of sausage a year. We sell it retail and to restaurants. We've got all kinds of products.
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Speaking as someone who didn't go through the U.K. school system, with all the culinary baggage that entails, I am inordinately fond of custard in any shape or form.
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I've seen the future and it's much like the present only longer.
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The important thing is to be there, score when needed. It's better if the goals are beautiful, better still if they are important.
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I like pushing boundaries.
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I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself.
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I was eight when I left Sarajevo, so I didn't really know very much about my culture and it was so important for me to go back to my roots and meet the people.
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I always thought golf was a game reserved for the rich and the elite... But it's a misconception. It's a highly technical game, and it's a game that you can play and master alone. You require sharp skills for it, and you can play the game alone.
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Healthy discontent is the prelude to progress.
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Good is somebody who delivered and allowed the company to overcome obstacles, without leaving a profound impact on its culture. Great is somebody who leads his company to achievements and performance and value that nobody was expecting it had.
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I learned you can't trust the judgment of good friends.
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Jokes that are gratuitously offensive are synonymous with bad writing to me. I'm offended as a writer first and as a person second.
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You go to drama school, and the people you revere and admire are those who work on the London stage, and you hope that's a world that you'll be able to break into and do enough occasional television and small film work to eventually get to the point where you're paying the bills.
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A lot of locked-room mysteries take time for you to pay attention and see the setup. They aren't thrillers, and they don't move along. The modern mystery story is really faster-paced, and I think modern readers tend to prefer seeing something happening on every other page.
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Modern life is organised so that you benefit at the expense of the other, and the most extreme example of that is a camp.
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Conservatives used to believe in confronting hard truths, not succumbing to comforting fairy tales. Some still do.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It's like, "I'm just lonely and all I really want is a hug, but I gotta capture that in something real gross." You start to understand why circus clowns are alcoholics.
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I think theater is so undervalued. I have seen things there that have been far more vivid than things that actually have happened.
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I'm her protection! I don't care if it's in this world or the next. Just show me how to get where she is, and I'll be there for her. ~Stark
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I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff.