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I'm not a sexist.
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I had a brief period of questioning whether I should perhaps adopt a child. And my New Yorker editor, Henry Finder, was horrified by the notion.
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The real pleasure in writing this, for me, was discovering how little you need.
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It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.
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I voluntarily inflicted a certain level of insanity on myself.
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's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.
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We may freak out globally, but we suffer locally.
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I'm not fussy about my food.
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I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.
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The Mekons were kind of like the background music of my life.
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If you have not had direct firsthand experience of loving a category of person - a person of a different race, a profoundly religious person, things that are real stark differences between people - I think it is very hard to dare, or necessarily even want, to write fully from the inside of a person.
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'The Man Who Loved Children,' Christina Stead's masterpiece, remains the most fabulous book that hardly anyone I know has read.
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I hate the word 'partner' so much.
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I don't dislike people; I love people.
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A big part of me would be very proud never having anything of mine adapted, because if you want the real experience, there's only one way to get it. You're going to actually have to be a reader.
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I think cultures of conformity produce vast quantities of shame, both in people who simply can't conform and people who do conform, but underneath, they're not feeling conformist.
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For most of my life, I didn't pay attention to birds.
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It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.
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Most of the people who have complaints with me aren't reading me.
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Manhattan is just all bank branches.
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I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.
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I really enjoy doing both, but I didn't write nonfiction until 1994.
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If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.
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I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.