Jonathan Galassi Quotes
There are courses you can take to learn the mechanics of the business, like the Radcliffe course, but I don't think they teach you how to edit.
Quotes to Explore
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I am in a traditional financial services business - but we at Fidelity can see that the evolution of technology is setting our industry up for disruption. What if this technology could do for the transfer of value what the Internet did for the transfer of information?
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Almost anything worth doing involves some measure of risk - from learning to ride a bike, moving to a new city, and certainly, starting your own business. The point is that no one has ever started a business or created a new product with a guarantee of success.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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I feel very strongly that you shouldn't mix your emotions with business. When it comes to my emotions, I certainly don't mix them with my business.
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Many young adults I have communicated with - both in-person and over email - constantly apologize before stating their idea, or finish each sentence with a question. Unfortunately, doing so in business puts you at an immediate disadvantage with your boss and work colleagues.
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There's show and there's business. Business is a whole other beat.
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Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
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I'm really private, and also, when I'm home, I'm home. I don't like people in on my business. I believe that you can be overexposed.
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Giving someone a one-time stimulus check, or a one-time tax cut that expires doesn't allow the predictability that business needs.
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Growing up in eastern Turkey, I was not really involved with the family business - sheep and cow farming, yogurt and cheese making. But I think I learned from my father the unspoken business language or instincts that go back thousands of years.
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Peaceful, lawful protest - if it is effective - is innately disruptive of 'business as usual.' That is why it is effective.
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I didn't have any success in show business until I was 30 to 31 years of age.
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My father was a misanthrope who slept all day and stayed up all night so that he wouldn't have to see people. He ran a business with a large staff but would go there at night and leave things for them to do during the day when he wasn't there.
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Fashion is always seen as somewhat frivolous and self-indulgent. And I think people on the inside maybe don't see or understand how exciting and diverse a business it is.
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I find too often in the wrestling business, you just wrestle, get to the hotel, make your money. Sometimes I have to stop and remind myself to enjoy my life and not just rush through.
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What kind of business world are we living in?
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I think one purpose is very clear among corporations and business leaders: make profits, deliver high return for stockholders, conquer markets, service consumers and create jobs. But in today's world, demands from corporations and leaders are much more than that. We need to understand what people really want at the very end.
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It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
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My parents are very cool and wildly supportive - maybe almost too much. I want to tell them to chill out.
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I think the periods of being unsuccessful have made me a better actor.
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We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
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There are courses you can take to learn the mechanics of the business, like the Radcliffe course, but I don't think they teach you how to edit.
