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'Looking' is more than just a television show. It's contributing to the cultural conversation, and for me, those are the most exciting projects to be a part of.
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With every character, the first thing I want to feel is empathy.
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I did 'Spring Awakening' on Broadway for about three years, and I did over 500 performances.
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Coming out, for me, was slightly painful. It was a relief, but it was also painful.
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Even the first suitcase-off-the-train moment, it's easy to be discouraged, frustrated, annoyed, angry. Because you're waiting in freezing weather outside of an open call, and you're like, 'This moment of me right now is not the joy I felt when I was doing J. Pierrepont Finch in 'How to Succeed in Business Without Really Trying' in high school.'
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I wish that I could take credit for the success of 'Frozen' and 'Hamilton.' But I just feel lucky to be in 'em.
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I'd moved to New York to pursue a career in theatre, and it's very practical how you do it - I just went to every open call going.
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As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. 'Spring Awakening' kind of answered all of my questions and fulfilled all of my dreams - beyond my wildest dreams.
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I left 'Spring Awakening,' and within a month of leaving the show, I came out to my parents and to my friends and broke up with my boyfriend and moved into an apartment of my own and completely changed my life.
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Alfred Molina is one of the nicest people on the planet and a complete master.
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I was Mary Poppins for Halloween when I was 3, with lipstick and a carpetbag. And I was Dorothy in 'The Wizard of Oz' in a production in my dad's barn.
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I was obsessed with Nintendo.
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When you get to really involve yourself with a piece and the other people, and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think.
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I'd rather be a working actor and not hiding anything in my personal life.
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I love the you-never-know-what's-going-to-happen aspect of doing concerts.
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When I was doing 'Spring Awakening' the first couple of years I was living in New York, I was gay, and I was living with my 'roommate,' who was my boyfriend but was my roommate to everyone else.
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I would say 'Looking' and 'Spring Awakening' are the most important and personal projects I've ever been apart of.
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Once I came out of the closet, it was sort of that thing of 'The truth will set you free.'
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I love interacting with an audience. I love just being myself in front of a crowd.
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For me, there's nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it's on Broadway, in Florida, or doing a tour.
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People create from different places. Some love to create from a tortured place, some from a joyful place. And when I feel like I'm a 5-year-old kid in my backyard playing pretend, that's when I'm happiest.
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I never look at myself online, and I don't read gossip Web sites.
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I'm a singer who moves well.
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I just don't know artistically - because I don't write my own music - I don't know artistically what an album would mean for me. I don't know what I would want to say with an album that would be unique to me - something that hasn't been done before. I'm just not sure what that is. But I'm absolutely open to it.