Natalie Dormer Quotes
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It is impossible for human beings not to view something subjectively.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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We live in one of the most complex ages for young, professional women.
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So many little girls dream about their wedding day. But with actresses, sometimes it's the inverse, because we get to be the centre of attention, looked up and down, dressed up for premieres all the time. The pull isn't quite as great.
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What I love about 'Mockingjay, Part 1' is that President Coin or Cressida could have easily been played by a man, and if you look at 'Interstellar,' the Anne Hathaway or Jessica Chastain roles would have been men years ago.
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More often than not, I get cast as quite Machiavellian roles - it's something about my face; I'm quite shifty or something!
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Sometimes a woman's looks or sensuality are too readily wrapped up in their power.
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Women have a lot of... attitudes enforced in us about our sense of attractiveness being bound up in long, flowing, Hollywood kind of hair.
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Because of my job, I get a lot of opportunity to grab a few days here and there in many cool cities for press commitments, magazine shoots and premieres - Barcelona, Madrid, Rome, Paris, Stockholm, New York, Berlin. I always try to get to a gallery or museum if there's time.
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My party trick is that I can get ready to go to the party really quickly. I'm actually a woman that can have a shower, dry and style her hair, do her make-up and get dressed in under an hour.
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When I see a fan coming over, I can't help but make an assumption about what they want to talk about. A middle-aged American woman will head over, and I think, 'Game of Thrones.' Turns out it's 'The Tudors' or 'Elementary' or 'The Hunger Games.' It's always a surprise.
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The train system in India is chaotic and fun - it's the best way to see the landscape. Being in with all the families and also being the odd animal is a colourful experience you'll never forget.
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I don't know if I'm a daredevil, exactly, but I do enjoy a good challenge. It's the only way you grow.
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I try to stay consciously away from the roles of the girl who throws herself at the leading man, because I've done it a lot and I want to move on. I ticked that box.
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There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.
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I love to drive. My present to myself from 'The Tudors' was a red Mazda MX5 hard-top convertible. I loved that car, and also what she represented - my first success.
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Madonna is completely down-to-earth. She's an absolute professional.
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Long skirts are annoying; they get in the way.
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I'm a London girl, so I grew up on Alexander McQueen and Vivienne Westwood... Dior, Chanel, the usual suspects.
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I know I'm not a conventional beauty. You can read a lot of painful things on the Internet, which criticise you aesthetically - but as far as I'm concerned, that's not what an actress is.
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As an actress, I think it's important to look back and realize that we aren't always quite as original as we think we are. There's this grand, textured history for us over the last 100 years of incredible writers, directors, and performers.
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Actors have this amazing skill - we bond quite quickly but equally we move on quite quickly. There's nothing particularly cold or capricious about it - we're troubadours and lead a troubadour's lifestyle.
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Obviously, you have quieter years than others - you don't go jumping out of a plane every day.
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Nothing is taken lightly in 'The Hunger Games.'