Jonny Greenwood Quotes
I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.
Quotes to Explore
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If it helped you get your music off the ground, I'm glad you done it.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I play the harmonium. I had learned to use the guitar for a bit before becoming a part of the music industry, but unfortunately didn't pursue it fully. I would love to learn to play the piano because it holds a unique connect for me in terms of rhythm.
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I love music; I come from a region of Kurdistan that is a base for music.
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I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
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When you start putting too much thought into it, the music starts getting too revealing. You don't need to know all my inner thoughts.
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I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
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Japan has really great fans for all kinds of music. I think they're keeping metal alive.
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I think music should be experienced by people all ages.
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It's a crazy world, so sports and athletics and music can be a form of escapism.
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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Mix-tapes are something that have been going on for a while. They've been pretty important to hip-hop for the past 10 years. It's the way we advertise our music to the public for free.
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I first came to Russia because of the culture, literature and music... and my interest in the 19th-century revolutionary spirit of Herzen, Bakunin and Kropotkin. Russia is a wonderful place to bring new clowns because Russians give back a wonderful response.
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I have taken taking my music to labels for years, and everyone just thought it was creepy. They thought the images with the music were weird and verging on psychotic.
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In my own case, who have spent my whole life in the practice of virtue, right conduct from habitual has become natural.
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I think we make too many records. One record a year is crazy to me. But some people have to sell tickets. The label has to meet their quarterly number: 'We need a record a year.' All of a sudden, the tail's wagging the dog. It's not the music; it's everything else making the music. That's just backwards. It's wrong.
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If you would make the most of yourself, cut away all of your vitality sappers; get rid of everything which hampers you and holds you back, everything which wastes your energy, cuts down your working capital. Get freedom at any cost.
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Development does not take place in Washington, DC. Development takes place in the rest of the world.
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I was very lucky with the parents I was blessed with. I don't think it could have worked out any better. They've always been so understanding of me and understanding of what I want to do.
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I realized that we have to do everything we can to preserve the Jewish race. I'm very proud of it, and I think it's wonderful.
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I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.
