A. R. Rahman Quotes
I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.
Quotes to Explore
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I've always loved to help people, young people in particular.
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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There's a long tradition of black folks pleading with white people. It's a tradition that emerges from political necessity, so I get it; I'm just not very interested in it.
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A good editor understands what you're talking and writing about and doesn't meddle too much.
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But ours was intended to be a citizen government. It is what of, by and for the people means. And when our most important issue in California is the creation of jobs, I think it's quite helpful to have someone in the U.S. Senate or in the governor's seat who actually knows where jobs come from.
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The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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My son's a West Point cadet.
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I am big believer that increase the size of the cake is as at least as important as distribution of the cake. To increase the size of the cake, you need to focus on progress.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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We must continue research into new forms of energy and into more efficient use of existing energy sources.
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The only true measure of success is the ratio between what we might have done and what we might have been on the one hand, and the thing we have made and the things we have made of ourselves on the other.
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Consequences of linear thinking in Afghanistan and Iraq included overestimating indigenous forces' capabilities, underestimating the enemy, and the associated expectation that the coalition could soon reduce force levels and shift to an exclusively advisory effort.
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I have a preference for film just because of the familiarity. It's what I know, and I sort of have nostalgia for it.
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My father was raised in the mountains of New Mexico, and he picked cotton for a dollar a day. He was working for the family from the time he was 7.
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After I win a match, I celebrate it by having an ice cream.
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I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I don't have a fear of aging or a fear of death.
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Every show finds its groove, I would say. The first season is the season to figure out the dynamics, the workflow.
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When I got diagnosed, the more research I did about it – MS overall, as a subject, as a disease – there's a lot of misconceptions and there's a lot of unknowns about it, and there wasn't anyone out that was close to my age or close to anything like me out there.
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I would like to see an end to war, poverty, and unnecessary human suffering. But I can't see it in a monetary-based system where the richest nations control most of the world's resources.
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I love revenge.
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I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.
