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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.
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Some things are very low profile, but if they excite me creatively, I accept them. Sometimes there are high-profile projects, and you have to do it. We all have human limitations. It is a painful decision to turn things down. Even accepting 'Slumdog Millionaire' was a decision that I had to sacrifice another project.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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I am the kind of person who does not like to carry baggage. In fact, I don't go back and listen to my own music. I believe in closing chapters and moving forward. That's what gives me peace.
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If you respect a language and culture, it shows in your work.
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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How we approached this was I wanted this to be personal in a way. It's not a big, epic Hollywood score but really personal and intimate, and we thought guitar would be the perfect instrument for him because he's young and he has an undying spirit and all that stuff and we went on that feeling totally.
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I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
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Each one of us has our own evolution of life, and each one of us goes through different tests which are unique and challenging. But certain things are common. And we do learn things from each other's experience. On a spiritual journey, we all have the same destination.
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My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
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I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
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I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
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I'm continuing to learn more about music - it's an ocean, and you can never really say that you know everything. I'm grateful that I'm still living and making music among the greats.
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Every time I sit for a song, I feel I am finished. It's like a beggar sitting waiting for God to fill your bowl with the right thought. In every song, I ask help from Him. Everybody around is so good, so to create music that will connect with so many people is not humanly possible without inspiration.
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My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
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The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
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Your inner voice is the voice of divinity. To hear it, we need to be in solitude, even in crowded places.
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A good film demands its own score, and if you are a musician, your conscience will never allow you to do something mediocre for a good film.
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I think music, in my opinion, is not about motivation in the way it's - it's not a running base. It's art. And my whole philosophy of music is different. It's almost like cooking and serving to people, seeing them smile and enjoying the food, really.
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I was a common man, and I will always remain a common man. No amount of stardom will ever consume my soul. Money comes, money goes. Fame comes, fame goes. I believe every human being is a celebrity in their own right.
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It's true that I love to connect with my fans on the social networking sites, but I try not to go overboard, ever. I just give people a peek into my mind space, but never bombard them with my tweets.
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I'm a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects I don't do because I feel that it's going to create a bad vibe. I don't do propaganda films that are anti another religion, anti-Muslim or anti-Hindu.