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Rather than making money I believe in making people happy, all other things are secondary. Money isn't important, creative satisfaction is
A. R. Rahman -
These are the Rad instruments that are dying out in India. So, it's going well and I think now we are increasing the number of kids we have taught and of course we are helping out with other things too. It's based in India now. [The idea is to] perfect it in one place and then we'll expand.
A. R. Rahman
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That's a sound design thing but then we wanted to do music that would not disturb it and at the same time drive it.
A. R. Rahman -
I didn't see it coming at all. I just wanted to have this new experience with this team of Danny Boyle, Christian (Colson) and Simon (Beaufoy). It was like an excursion for me from my normal routine and the Indian movies I do and that helped.
A. R. Rahman -
Dear Mr. and Mrs. Obama, Thank you for sending me Christmas and New Year greetings yet again. Welcome back to India... Would have loved to host you at my concert in Baroda on the 26th!
A. R. Rahman -
I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.
A. R. Rahman -
I think I would like to discover a new root where people don't get bored with people singing boring lines but something exciting. That'd be interesting.
A. R. Rahman -
What is good is what it's going to lead to, like the song "Jai Ho." If good numbers are going to come in the future, it bodes well for a lot of things. But then, who's going to maintain that. That's the question. So far they could never lead to an Indian song, like a normal film song in this that they can relate to.
A. R. Rahman
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While other creators make a big show of their art Mani Sir makes it look as though anyone can do what he does.
A. R. Rahman -
If a musician wants to blossom into a full-fledged person, it's not enough if he knows only classical music; nor it is enough if he's well-versed only in raagas and techniques. Instead, he should be a knowledgeable person interested in life and philosophy. In his personal life there should be, atleast in some corner of his heart, a tinge of lingering sorrow.
A. R. Rahman -
It's a very simple process. He [Danny Boyl] comes in the tube (subway) and then he sits with me for 3 hours every evening and then I work on something. Then later, if he likes something, I put it even more perfectly. I tweak stuff. So this happened for 3 or 4 weeks and the music was done.
A. R. Rahman -
Certain things are done intentionally opposite - like there's no sound at the end or synthesizers or all that stuff. Anything that drowns the movie, no. Anything that makes you sit up and watch it, yes. So, some are expecting a very sad theme going on.
A. R. Rahman -
There have been predictions that the world will come to an end on 21.12.12. But I look around me and I see so much scope for hope.
A. R. Rahman -
That was a very different emotion and I felt Dido's words would be good and I had a template with my voice in it. Then, when he heard it, he wanted both our voices together in it and that's the scene when he sees the boy and then he gets charged to go on that final cutting effort.
A. R. Rahman
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It had a language. It's a very emotional language that only exists in India, that part of [inaudible] so we wanted to use that. I had two versions - one with my voice and one with the girl's voice. But he preferred the girl's voice and he preferred my voice with an [inaudible].
A. R. Rahman -
When I initially read the script, it goes inside and comes out different things even without commenting on any stuff. And then, those pieces are taken out and then spread out through the movie.
A. R. Rahman -
My list would be Russia, Morocco, Turkey, and South Africa I'm doing which is somewhere I've wanted to go, Australia, Japan maybe, and China, if I have the energy to go and play at all those places.
A. R. Rahman -
Music knows no barrier of age or culture. It isn’t about being politically correct or even making a statement. Music is what appeals to the ears and touches your soul.
A. R. Rahman -
Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.
A. R. Rahman -
Because when you work with a different team, the expectations are different and then you deliver in a very different way. You look back at it and you're proud of yourself. And when the same people come in and you do the same thing, it's boring. You could re-envision it again and again but when the new chemistry of ideas comes in, something happens as a team.
A. R. Rahman
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There were basically three themes. One was the sun theme which is the guitar when he'd get sun on his leg and it comes again in the end. And there's of course the lullaby which Dido sang, "If I Rise." And then there's this driving guitar which is the motivation theme.
A. R. Rahman -
Music is language itself. It should not have any barriers of caste, creed, language or anything. Music is one, only cultures are different. Music is the language of languages. It is the ultimate mother of languages.
A. R. Rahman -
I don't even know where mine [Oscar award] is. My mother has hidden it because everybody who comes in wants to take a photograph of it. So what she's done is she put it inside a suitcase somewhere.
A. R. Rahman