Eric Jerome Dickey Quotes
As a writer, I challenge myself not to tell the same story - to tackle different characters with different issues.
Quotes to Explore
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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My dad is a comedian, entertainer, you know. He always likes to make people laugh. With me, it just depends on what mood I'm in. You get what you get.
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The formula for achieving middle-class success is simple: Finish high school; don't have a child before the age of 20; and get married before having the child.
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The true character of ministry is a servants heart.
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Love is the ability and willingness to allow those that you care for to be what they choose for themselves without any insistence that they satisfy you.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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When you have all these traces of trash moving around, you can ask yourself how can we make the system more efficient. Then we can make better decisions. And perhaps we will not throw away the plastic bottles that go every day to the dump.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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Every child should at least grow up in family rather than without one.
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If you think about stuff that happened when you were young, it stays with you forever.
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That's what you want to do as an older artist - you want to reinvent, but there has to be that vein in there for why people were listening to you before in the first place.
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By a lie, a man... annihilates his dignity as a man.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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If enough people think of a thing and work hard enough at it, I guess it's pretty nearly bound to happen, wind and weather permitting.
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To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
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That is the exciting thing: I don't know what God has given me for tomorrow.
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People are always telling me that they've seen people reading my books on the subway, or the beach, or whenever.
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But I've sure worked at jobs where I have been under inspection.
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I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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Asking what I'd do without Loopt is almost like asking what I would do if I didn't have a smartphone because the feature set has become the norm for me.
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I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
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Any time you die in a film, it's not real, so it's all kind of fun.
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As a writer, I challenge myself not to tell the same story - to tackle different characters with different issues.
