Peter Weir Quotes
There was a point of frustration, where I thought I should just take a film, even though I didn't want to. I was impatient with being at home. But I hung on to the approach I've always had, which is to wait for a project that I could contribute something unique to.
Quotes to Explore
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A government capable of controlling the whole, and bringing its force to a point, is one of the prerequisites for national liberty. We combine in society, with an expectation to have our persons and properties defended against unreasonable exactions either at home or abroad.
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A lot of people tell me, 'You are from North; how do you manage to get along in the South?' I don't know what to say to them. I've always felt at home here, and by learning to speak Telugu, my connection with the place has gotten that much stronger.
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Yesterday's home runs don't win today's games.
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My biggest nightmare is I'm driving home and get sick and go to hospital. I say: 'Please help me.' And the people say: 'Hey, you look like...' And I'm dying while they're wondering whether I'm Barbra Streisand.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.
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When I started competing, you had to have your coach there. Now you can be coached from a home office via Skype or video. That's not the same as having them on the field with you.
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In so far as the government lands can be disposed of, I am in favor of cutting up the wild lands into parcels so that every poor man may have a home.
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When I joined Custer I donned the uniform of a soldier. It was a bit awkward at first but I soon got to be perfectly at home in men's clothes.
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I'm always happy and most at home on the stage. I love film and television, but I love live performance... your immediacy with the audience, it makes all the difference in the world.
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I am a total workaholic. If I don't shoot for two days, I get uncomfortable at home. I won't comment on my personal life. That is totally out of bounds. When I do get married, everyone will know.
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The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
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Be yourself. And every person is unique.
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A lot of people don't understand how hard the girls on 'Total Divas' work. They're on the road, the same as the rest of us, and then when they get home, they've got to be filming this whole time.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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You can drive an SUV, but there's a balance. If you do that, maybe use energy-efficient light bulbs at home or just be conscious of switching off lights. If you can afford to drive an SUV, maybe you can afford to make a donation to a wind farm or plant some trees. It's all about balance.
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I'm not the first player to have their home Grand Slam and not perform. There have been a few Australians and French players, you name it. It's a tough thing. But it is one of those things. Would I rather have a Grand Slam in my country than not? I would.
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I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.
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I just live one day at a time.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
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There was a point of frustration, where I thought I should just take a film, even though I didn't want to. I was impatient with being at home. But I hung on to the approach I've always had, which is to wait for a project that I could contribute something unique to.
