Eric Ripert Quotes
Quotes to Explore
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I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'
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Readers want to have the confidence that you understand the era in which the book is set, so for 'The Perfumer's Secret,' I needed to know everything about the First World War from a French perspective. I had to understand those people and that town in 1914.
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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One half who graduate from college never read another book.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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Tel Aviv appeals to me.
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It's easier to release an ebook than a print book.
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I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.
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A book comes and says, 'Write me.' My job is to try to serve it to the best of my ability, which is never good enough, but all I can do is listen to it, do what it tells me and collaborate.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
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Oh I'm a huge comic book movie fan.
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Young people are dying for no reason all over the world that don't know why. It's ugly, everywhere.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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I'm pretty much an open book.
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Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
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All we need to do, reader or writer, from first line to final page, is be as open as a book, and be alive to the life in language - on all its levels.
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It is a work of psychogeography, albeit in a less explicit sense than Iain Sinclair's or Will Self's. It had to be fiction though, because I needed that freedom of including whatever belonged, and cutting out whatever didn't. The main fiction in it was matching Julius' generous and self-concealing character to New York's generous and self-concealing character. I think this also adds to my answer about New York's personality in the book.
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I shall carry to the Catacombs of Age,
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Even my momma asked what I'mma do. Decisions, decisions/ In case this is war, then I load up on all ammunition/ If a n----a want problems, my trigger's on auto.
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I'm not afraid to say I'm at war with the pigs.
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Nobody wants an ugly book.
