George Plimpton Quotes
At the base of it was the urge, if you wanted to play football, to knock someone down, that was what the sport was all about, the will to win closely linked with contact.
Quotes to Explore
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But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.
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Stardom happens - you can't plan it - it's destiny, and you shouldn't stand between you and your destiny. I'm letting my destiny play its part, and I go by my gut feeling. If I like my role, I say yes; if I don't, I just refuse, as simple as that.
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There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
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Switzerland is a country where very few things begin, but many things end.
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Even Gaddafi's adversaries assure us that he stood out for his intelligence as a student; he was expelled from high-school for his anti-monarchic activities. He managed to enroll in another high-school and later graduated in law at the University of Benghazi at the age of 21.
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The most powerful symptom of love is a tenderness which becomes at times almost insupportable.
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Technology is changing the way we interact as humans.
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I want to take a close look at the SBA to see what works, what doesn't, what is duplicative, and what isn't even being utilized. We'll focus on what they do well and strengthen those areas.
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I started writing while I was a little boy. Maybe it's because I was reading a lot of books I admired, and thought that I would like to write something like that someday. Also, my love for good writing pushed me.
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And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet.
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Hyperrealism can create an atmosphere of surrealism because nobody sees the world in such detail.
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I'm always the interrogator. When I was an actor in rep, I always played sinister parts. The directors always said, 'If there's a nasty man about, cast Harold Pinter.'
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As a child, I was prancing around in my mother's high heels and a ra-ra skirt, singing 'Material Girl' into my hairbrush.
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In Singapore, Malcolm X type of activity would be extremely difficult because the government can be very harsh on lawbreakers.
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Any conversations we hear about 'So who are Pearl Jam marketing to?' are despicable.
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When I learned to play music, I was listening to blues music. And all the blues music I liked was super simple and stripped down. And then all the hip hop I liked was super simple and stripped down and we always heard that connection.
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I don't really believe in evil at all.
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Williams really does feel like a family, and I have built up very good relationships with people here; in fact, some of my best friends work for Williams. A friendly atmosphere can really help on the track as well because I feel like I can communicate freely with the team.
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It doesn't matter how many times you win an award, it is always very special.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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On an awards-show day, I can play basketball, go in, take a shower and put on a tux - it takes me three minutes to put on a tux - and be out the door in 15 minutes.
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Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
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At the base of it was the urge, if you wanted to play football, to knock someone down, that was what the sport was all about, the will to win closely linked with contact.
