George R. R. Martin Quotes
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
Quotes to Explore
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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One half who graduate from college never read another book.
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I have always said that everyone is in sales. Maybe you don't hold the title of salesperson, but if the business you are in requires you to deal with people, you, my friend, are in sales.
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Real love is a permanently self-enlarging experience.
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Ben Stiller, who I love and who is a friend and is such an incredible actor - he's hilarious, obviously, but I thought his performance in 'Greenberg' was extraordinary.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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In times of rapid change, experience could be your worst enemy.
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God cannot be realized through the intellect. Intellect can lead one to a certain extent and no further. It is a matter of faith and experience derived from that faith.
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Webster and I are very aloof. The two of us go and sit there by ourselves. I sit by myself in the corner with my book and the newspaper. He kind of runs around a little bit, and then he goes and sits on top of the picnic table. He never plays with other little dogs.
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Nothing can really prepare you for you the sheer overwhelming experience of what it means to become a mother. It is full of complex emotions of joy, exhaustion, love, and worry, all mixed together.
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I pretty much only wear Lilly Pulitzer ties because my best friend owns the company.
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Butler's novel 'Kindred' may be the book most widely read by readers outside science fiction; it has been assigned as a text in classrooms and has sold steadily since its publication in 1979.
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I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
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So many people are working in vaudeville today that I looked for three weeks to book enough acts for an hour bill and didn't have them until the night before we opened in Buffalo and money was no object!
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I've been recording audiobooks for more than 30 years. I've recorded over 500 titles on all sort of things. I'm a sort of genre-free recording artist - classics and romances, I just finished a sci-fi book, self help... just all kinds of things.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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The red carpet is kind of a surreal experience. There's nothing normal about it, so for me the most important thing is to maintain some normality right until the point you get out of the car.
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Hitman does well and it certainly does well enough to survive, but at the same time I don't want to involve the character into the DC Universe even if it meant more sales, to the point where we sort of upset the balance that we have at the moment.
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If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.
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I don't think there was a particular book that made me want to write. They all did. I always wanted to write.
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No damn man kills me and lives.
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The atmosphere is great for people - it allows us to survive - but it's a real headache for astronomers.
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That point of life when I learned I could cook, that always made me understand what cooks felt like feeding other people. It's okay to receive, but it's really cool to give, so food is to me sexy because it's the fact that someone is giving it to someone else.
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I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
