George R. R. Martin Quotes
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I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
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There is magic in my universe, but it's pretty low magic compared to other fantasies.
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I've never been a fast writer.
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It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.
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I wanted to write a big novel, something epic in scale.
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I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.
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If you're going to write about war, which my books are about, wars are nasty things. I think it's sort of a cheap, easy way out to write a war story in which no one ultimately dies.
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I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
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'Rome' was one of my favourite shows, and I wish HBO had given it three more seasons 'cause I would have loved to continue watching it.
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I grew up with four T.V. channels. If you missed a show, you missed it. You gotta wait a week for the next one. I'd mail-order books: take a quarter, get an envelope, send off for it and wait until it arrived. I grew up waiting for things.
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Yes - 90% of fantasy is crap. And so is 90% of science fiction and 90% of mystery fiction and 90% of literary fiction.
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When I am writing best, I really am lost in my world. I lose track of the outside world. I have a difficult time balancing between my real world and the artificial world.
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I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
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Writing is hard. I mean, I sit there and work at it.
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One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.
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When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
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'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing.
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I have files, I have computer files and, you know, files on paper. But most of it is really in my head. So God help me if anything ever happens to my head!
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I have a huge emotional attachment to characters I've created, especially the viewpoint characters.
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Boy, there are days where I get up and say 'Where the hell did my talent go? Look at this crap that I'm producing here. This is terrible. Look, I wrote this yesterday. I hate this, I hate this.'
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I suppose I'm a lapsed Catholic. You would consider me an atheist or agnostic.
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One of the great things about books is you can afford to do anything.
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There are some examples of medieval kings who were terrible human beings but were nevertheless good kings.
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I have always been a dark writer.