Eric Stonestreet Quotes
When I was a kid, I wanted to be a clown. I didn't want to be an actor, I wanted to join the circus and entertain people.
Quotes to Explore
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All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment.
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People say never work with children and animals. I actually like working with Oliver Bell, and working with a rat really opens possibilities to you because you don't know how it's going to be. It's just a rat, so you can just react to this rat being a rat, if that makes sense.
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A horse never runs so fast as when he has other horses to catch up and outpace.
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I don't know if I have a favorite color.
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For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst and provide for it.
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Sob, heavy world Sob as you spin, Mantled in mist Remote from the happy.
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One of the ideas that was developed at MIT in a workshop was, imagine this pipe, and you've got valves, solenoid valves, taps, opening and closing. You create like a water curtain with pixels made of water. If those pixels fall, you can write on it: you can show patterns, images, text.
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The true Tarot is symbolism; it speaks no other language and offers no other signs.
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Owing to the fact that leaders in the women's groups made a point of serving on the jury here whenever they were called, we have always had an unusually high type of women represented on the jury.
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A person is born with desires of the eyes and ears, and a liking for beautiful sights and sounds. If he gives way to them, they will lead him to immorality and lack of restriction, and any ritual principles and propriety will be abandoned.
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Like it or not, in the end, it's one's body. It's literally what carries you through life. There's a reason for the saying, 'If you have your health, you have everything,' and it's true. Old age, disease - these are the great equalizers.
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I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
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I like making movies that people feel inspired by, a film that they will think about a few days after seeing it, and not entertainment that is completely forgettable the moment you walk out of the theater.
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I think that if you're improvising on TV, it's a great way to help the dialogue between actors and writers.
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Griffin, my brother, 11 months younger, was sometimes the victim of my father's fury - once Ryan famously knocked out his teeth.
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I'd say mostly I paint hot chicks.
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Assume everything you put on the Internet can and will be seen not only by the person you're talking about, but your future romantic partners and bosses, too.
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I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.
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At the end of our lives it is our loves we remember most, because they are what shaped us. We have grown to be who we are around them, as around a stake.
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After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
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Making a film transforms your relationship to the world. And there's some sort of natural authority that builds up along the way.
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I had to learn that a good actor, like an iceberg, reveals only a small part of his ability on the surface. You suggest; you don't serve on a platter. You hold back. You don't expose it all to view. That's the way to put the audience's imagination to work.
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My dad had this thing - everyone in Canada wants to play hockey; that's all they want to do. So when I was a kid, whenever we skated my dad would not let us on the ice without hockey sticks, because of this insane fear we would become figure skaters!
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When I was a kid, I wanted to be a clown. I didn't want to be an actor, I wanted to join the circus and entertain people.
