Jose Ferreira Quotes
Quotes to Explore
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I don't think there was a definite day, but it would have been around my mid-20s. I was always interested in the media side of things. When we travelled with England away, or to World Cups, I used to sit with journos while they wrote their copy.
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The only thing that matters is what happens on the little hump out in the middle of the field.
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When I go a stretch without tweeting, I will occasionally get an email from my mom, checking in. I always find this amusing but also gratifying: Thanks to Twitter, I can keep in touch with my parents and let them in on what I'm doing in a way that even the regular phone calls of a doting daughter can't do.
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If I can help a kid discover a liking, or even a passion for music in their life, then that's a wonderful thing.
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The penalty of success is to be bored by people who used to snub you.
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I love writers. All of my best friends are writers.
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I loved London. In the 1970s... it was very exciting, really wild.
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What's become a big theme in my music is my dad as a narrative character. I never had the opportunity to understand our relationship in a more adult capacity. The unknown is great material for any creative outlet.
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While teaching, I also worked undercover in the lower courts by saying I was a young law teacher wanting experience in criminal law. The judges were happy to assist me but what I learned was how corrupt the lower courts were. Judges were accepting money right in the courtroom.
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The way a team plays as a whole determines its success. You may have the greatest bunch of individual stars in the world, but if they don't play together, the club won't be worth a dime.
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I couldn't speak any English when I first left Russia, and Intimissimi taught me everything. The team was like a family to me - they showed me how to model and how to stay in shape. They really believed in me.
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The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
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People say I'm extravagant because I want to be surrounded by beauty. But tell me, who wants to be surrounded by garbage?
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The fundamental thing about my personality is that I think I'm an imposter.
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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It's funny because everyone says, 'Oh you're reclusive; you don't do social media,' but it's not about being reclusive. I like direct contact, and I like contact that's purposeful.
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We had times in '66 and '67 when we would pick up a platoon of privates out of the receiving barracks the week before we even graduated the platoon that we were on!
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If you are not living this moment, you are not really living.
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Apes beat their chests so they don't have to fight 24 hours a day.
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Audiences have taken a liking for supernatural and fantasy shows. The genre is doing well on the small screen, and I wanted to get into that mould. I have never played a naagin, and such roles have always intrigued me.
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All My Children taught me a great work ethic; you work so hard on a soap opera! It is a good way to start in the business, get success without getting a big head and learn your craft.
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My wife Amber and I, along with our two children, did not move to Liberia for the specific purpose of fighting Ebola.
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What's wrong with a bit of nostalgia between friends? I think nostalgia sometimes gets too much of a bad press.
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Big data in education has huge potential to improve learning materials.
