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There is nothing odder than to apply an analytical device to a synthetic phenomenon: for instance, to write in English about a Russian poet.
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I always adhered to the idea that God is time, or at least that His spirit is.
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It is not just shameful for a contemporary American poet to use rhymes, it is unthinkable. It seems banal to him; he fears banality worse than anything, and therefore, he uses free verse - though free verse is no guarantee against banality.
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I remember myself, age five, sitting on a porch overlooking a very muddy road. The day was rainy. I was wearing rubber boots, yellow - no, not yellow, green - and for all I know, I'm still there.
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This is the generation whose first cry of life was the Hungarian uprising.
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I began to despise Lenin, even when I was in the first grade, not so much because of his political philosophy or practice... but because of his omnipresent images.
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Bad politics make for bad morals.
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Weaknesses have a certain function in a poem... some strategy in order to pave the reader's way to the impact of this or that line.
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Who included me among the ranks of the human race?
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As failures go, attempting to recall the past is like claiming to grasp the meaning of existence. Both make one feel like a baby clutching at a basketball: one's palms keep sliding off.
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I'm no parasite. I'm a poet who will bring honor and glory to his country.
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The charge frequently leveled against poetry - that it is difficult, obscure, hermetic and whatnot - indicates not the state of poetry but, frankly, the rung of the evolutionary ladder on which society is stuck.
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Americans have been tremendously fortunate in poetry, regarding both the quantity and quality of poetry produced. Unfortunately, it remains in schools and universities; it is not widely distributed.
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Unlike a state, a writer cannot plead the historical necessity of his actions.
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To put it mildly, nothing can be turned and worn inside out with greater ease than one's notion of social justice, public conscience, a better future, etc.
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Life has a great deal up its sleeve.
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The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.
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Unfortunately, a human being is able to comprehend only that amount of evil which he is able to commit himself.
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On the whole, books are indeed less finite than ourselves. Even the worst among them outlast their authors - mainly because they occupy a smaller amount of physical space than those who penned them. Often they sit on the shelves absorbing dust long after the writer himself has turned into a handful of dust.
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The unbearableness of the future is easier to face than that of the present if only because human foresight is much more destructive than anything that the future can bring about.
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Poetry is rather an approach to things, to life, than it is typographical production.
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When you have those two languages - an analytic one like English and a synthetic, very sensual thing like Russian, you get almost a psychotic sense of humanity that permeates nearly everything. It can help you understand, and it can discourage you, because you see how little can be done.
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My idea is simply - is very simple - is that the books of poetry should be published in far greater volume and be distributed in far greater volume, in far more substantial manner. You can sell in supermarkets very cheaply. In paperbacks. You can sell in drugstores.
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Bookstores should be located not only on campuses or on main drags, but at the assembly plant's gates, also.