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I remember myself, age five, sitting on a porch overlooking a very muddy road. The day was rainy. I was wearing rubber boots, yellow - no, not yellow, green - and for all I know, I'm still there.
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I began to despise Lenin, even when I was in the first grade, not so much because of his political philosophy or practice... but because of his omnipresent images.
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I'm no parasite. I'm a poet who will bring honor and glory to his country.
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The charge frequently leveled against poetry - that it is difficult, obscure, hermetic and whatnot - indicates not the state of poetry but, frankly, the rung of the evolutionary ladder on which society is stuck.
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I simply loved all my life; loved is too strong a word, but I had a tremendous sentiment, partly conditioned, of course, by the reality of where I grew up, for the spirit of individualism, for the idea of your being on your own in a big way.
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I always adhered to the idea that God is time, or at least that His spirit is.
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This is the generation whose first cry of life was the Hungarian uprising.
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As failures go, attempting to recall the past is like claiming to grasp the meaning of existence. Both make one feel like a baby clutching at a basketball: one's palms keep sliding off.
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Americans have been tremendously fortunate in poetry, regarding both the quantity and quality of poetry produced. Unfortunately, it remains in schools and universities; it is not widely distributed.
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Bad politics make for bad morals.
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To put it mildly, nothing can be turned and worn inside out with greater ease than one's notion of social justice, public conscience, a better future, etc.
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Weaknesses have a certain function in a poem... some strategy in order to pave the reader's way to the impact of this or that line.
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Unlike a state, a writer cannot plead the historical necessity of his actions.
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The unbearableness of the future is easier to face than that of the present if only because human foresight is much more destructive than anything that the future can bring about.
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Who included me among the ranks of the human race?
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When you have those two languages - an analytic one like English and a synthetic, very sensual thing like Russian, you get almost a psychotic sense of humanity that permeates nearly everything. It can help you understand, and it can discourage you, because you see how little can be done.
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It is not just shameful for a contemporary American poet to use rhymes, it is unthinkable. It seems banal to him; he fears banality worse than anything, and therefore, he uses free verse - though free verse is no guarantee against banality.
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Unfortunately, a human being is able to comprehend only that amount of evil which he is able to commit himself.
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Poetry is rather an approach to things, to life, than it is typographical production.
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Bookstores should be located not only on campuses or on main drags, but at the assembly plant's gates, also.
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The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.
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With poets, the choice of words is invariably more telling than the story line; that's why the best of them dread the thought of their biographies being written.
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No man-made system is perfect, and the system of oppression is no exception. It is subject to fatigue, to cracks, which you are the likelier to discover the longer your term.
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If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological - indeed, genetic - goal.