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With poets, the choice of words is invariably more telling than the story line; that's why the best of them dread the thought of their biographies being written.
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If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological - indeed, genetic - goal.
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A man is, after all, what he loves. But one always feels cornered when asked to explain why one loves this or that person, and what for. In order to explain it - which inevitably amounts to explaining oneself - one has to try to love the object of one's attention a little bit less.
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The mechanics of love imply some sort of bridge between the sensual and the spiritual, sometimes to the point of deification; the notion of an afterlife is implicit not only in our couplings, but also in our separations.
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The poetic notion of infinity is far greater than that which is sponsored by any creed.
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My idea is simply - is very simple - is that the books of poetry should be published in far greater volume and be distributed in far greater volume, in far more substantial manner. You can sell in supermarkets very cheaply. In paperbacks. You can sell in drugstores.
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I am a patriot, but I must say that English poetry is the richest in the world.
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One who writes a poem writes it because the language prompts, or simply dictates, the next line.
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One of the worst things that can happen to an artist is to perceive himself as the owner of his art, and art as his tool. A product of the marketplace sensibility, this attitude barely differs on a psychological plane from the patron's view of the artist as a paid employee.
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To translate poetry, one has to possess some art, at the very least the art of stylistic re-embodiment.
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Bad literature is a form of treason.
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For some odd reason, the expression 'death of a poet' always sounds somewhat more concrete than 'life of a poet.'
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In terms of freedom, America doesn't invite any comparison to Russia. It would be silly to make one. Every line that I care to write, I can have printed. There is no point to even talk about degrees.
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Literature invents its own rules.
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Any dispute in matters of taste usually results in a standoff.
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Time is water, and the Venetians conquered both by building a city on water, and framed time with their canals. Or tamed time. Or fenced it in. Or caged it.
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Of course there is no denying the possible pleasure of holing up with a fat, slow-moving, mediocre novel; still, we all know that we can indulge ourselves in that fashion only so much. In the end, we read not for reading's sake, but to learn.
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Because civilizations are finite, in the life of each of them there comes a moment when the center ceases to hold. What keeps them at such times from disintegration is not legions but language.
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Literature is a far more ancient and viable thing than any social formation or state. And just as the state interferes in literature, literature has the right to interfere in the affairs of state.
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Whether by theft or by artistry or by conquest, when it comes to time, Venetians are the world's greatest experts. They bested time like no one else.
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For a head of state presiding over a ruined economy, an active army with its low wages is god-sent: All he's got to do is provide it with an objective.
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For a writer only one form of patriotism exists: his attitude toward language.
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Reduced... to a crude formula, the Russian tragedy is precisely the tragedy of a society in which literature turned out to be the prerogative of the minority.
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Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.