Oscar Wilde Quotes
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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I love being the mayor. I want to be the mayor forever.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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Food is everything. Food, friends, family: Those are the most important things in life.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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It's just incredible how people come up to me and say, 'Gabby, you inspire me to do anything I can set my mind to.' It's truly an honor.
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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Its no secret that I've never liked tax credits.
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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I tend to think that cricket is the greatest thing that God ever created on earth - certainly greater than sex, although sex isn't too bad either.
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I do think that people outside the fashion industry imagine that being a model is what you might call quick, easy money, but it can be very lonely - you have to be quite tough. It's also very physically demanding.
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'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old – obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
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There is a certain amount of dissatisfaction that goes with knowing your time, talent and abilities are not being properly used.
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I'm a very anxious, nervy kind of loser in many ways, and I get very stressed and a little tense.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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I cannot remember a time when the question of why people behave as they do was not intensely interesting to me. The desire to understand was very important. When I was young, I was aware of the fact that much of the time, the reasons a person gave for his actions were not the actual reasons.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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In international relations, you don't base your work on hope.
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I've learned to take care of myself. You know, I try to stay conscious of whatever my energy is at all times, really. I mean, I come home from work, and, depending on the day or depending on what was going on, if I needed to adjust, I'd just meditate, or play guitar, or watch some 'Monty Python.'
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I just wanted to work, build a relationship with my teammates, and earn their trust.
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I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.
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It is awfully hard work doing nothing.
