Viggo Mortensen Quotes
In a movie, you're raw material, just a hue of some color and the director makes the painting.
Quotes to Explore
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My hair is not really white; it's kind of grayish, and I don't like the color. So I make it totally white with Klorane dry shampoo. That is the best thing to do because my hair is always clean.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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Painting was a problem - you produce a thing, and then you sell it and get money, and that was quickly considered totally uncool.
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When I did 'Boyz N The Hood', I never thought how we grew up in South Central was interesting enough for a movie.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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Life is painting a picture, not doing a sum.
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It would be great to make a movie that had the style of a great '30's film.
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I'd heard he was good, and what the hell sense does it make not to hire somebody because of their color?
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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Painting is a source of endless pleasure, but also of great anguish.
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Oh I'm a huge comic book movie fan.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
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I suppose I have become a sort of living monument in Portugal. But I come from a family with roots all over the world, so the idea of patriotism is not very strong in me. My country is the country of Chekhov, Beethoven, Velasquez - writers I like, painters and artists I admire.
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The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages.
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Endorsing unconventional monetary policies unquestioningly is tantamount to saying that it is acceptable to distort asset prices if there are other domestic constraints on growth.
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Hopelessness has surprised me with patience.
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It's time to stop a foreign policy which is essentially a marketing strategy for the weapons industry.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
