Viggo Mortensen Quotes
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You know, real life doesn't just suddenly resolve itself. You have to keep working at it.
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Travel is one of the best anti-war weapons that there are. I've been to Iran, and if you're there you see little kids, cops, old people, cemeteries. Once you see that, you can't say, 'Oh, Iran, let's bomb them.'
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The best thing an actor can be is flexible, because all directors are different and all actors are different.
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As far as money goes, there's a saying in Denmark: 'Your last suit doesn't have any pockets.' You can't take it with you. You can make all the money you want, but who cares?
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I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.
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We live as though there aren't enough hours in the day, but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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Yes, I would agree that America, just like Spain was in the 17th Century, is the main empire of the world and they are the ones who, on the surface, are the most pushy: pushing their language, pushing their culture - or what there is of it - pushing by force their system on others.
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I'm not that involved in personal grooming. But I try not to be offensive to people.
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Being an actor, imitating to the point of inhabiting the lives of others, may simply be a way of continuing to do what I learned to do as a boy - to travel, mentally and physically.
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'The Road' is about that fear that all parents can have - 'What's going to happen to your child if you're not around?'
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A lot of times, movies that are in the top 10 lists or maybe even win Baftas or Oscars, you then watch them a year later and you go, 'Maybe it wasn't so great.'
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In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
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When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
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I'm not afraid of death, but I resent it. I think it's unfair and irritating. Every time I see something beautiful, I not only want to return to it, but it makes me want to see other beautiful things. I know I'm not going to get to all the places I want to go.
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I'm not afraid of death, but I resent it. I think it's unfair and irritating.
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I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
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I'm very comfortable in Argentina. I was raised there as a baby and stayed there until I was 11 years old, so the first decade of my life or my formative years were spent in Argentina. I stayed in tune with the food, music and language.
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I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
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In terms of the movie business, being in a 'Lord of the Rings' has given me more interesting options as work.
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I'm not a great fan of monarchy in general, but I have to say the Danish monarchy is closer to the people; it's not as stuffy as the English one.
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Each time I make a movie, it's like a paid scholarship to a different university course.
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I've never played a Dane in a movie. I've had offers to be in Danish movies, including for some good directors, but I either had a job at the time or, when I was available, the movie just didn't happen. Hopefully someday I'll do one.
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It's always interesting to play a character that obviously has a secret.