Paul Cullen Quotes
It's a matter of reducing the work to its very simplest possible state, eliminating all of the things that lead away from the guts of the work, the thing the work is really about. Anything that's there must build towards its over-all organization and meaning.
Quotes to Explore
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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Be prepared, work hard, and hope for a little luck. Recognize that the harder you work and the better prepared you are, the more luck you might have.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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But you will understand by yourselves that the matter applies equally well to the organization of the officials of justice, of administrative officials, etc; these are likewise organized instruments of power in certain societies.
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Citizens who live or work near protest sites or marches have every right to be free of violence from protesters, and they should never be subjected to destruction of property.
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The Steelers run a great organization.
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You cannot work and be at home with your child. But you want both.
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I certainly like it if the work is beautiful, but that's a surplus effect. I can only think about that after I consider how it's made.
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Every company, every boardroom in which I sit, has a plan, and they have objectives, goals, and a process. And to make it work, the pressure and incentive have to come from the top.
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It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
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My parents came from the Kyushu Island in the Southern part of Japan to find work in Tokyo. So we could only afford to live downtown, in a low-income area. It was just by the river, and whenever a typhoon came around, we were under water up to, like, here. That's the kind of place we lived in.
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People who work for me know that family comes first. And I'm fortunate to have a family that is very supportive of the work I do, so I don't have to live two separate lives.
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It's hard work to make a four-minute program look effortless and elegant.
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You can work hard to sharpen your talent, to get better at whatever it is that you do, and I think that's what it comes back to.
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This acting was very hard work.
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A work of art doesn't exist outside the perception of the audience.
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I usually hate most of my work: probably at least more than half of it.
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I didn't want to fall into the trap of complacency.
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I don't have a very 'masculine' taste in music. I get a lot of heat from my friends about that.
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Our plans miscarry because they have no aim. When a man does not know what harbor he is making for, no wind is the right wind.
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I've been in front of a camera since I was a little girl, and that's the medium I understand.
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It's a matter of reducing the work to its very simplest possible state, eliminating all of the things that lead away from the guts of the work, the thing the work is really about. Anything that's there must build towards its over-all organization and meaning.
