Paul Darrow Quotes
I think the intelligent thing about it is that you have to carefully listen to it all to grasp it, and because I'm not in every scene - colossal disappointment to everybody that it may be - I'm not getting the full picture here today while recording it.
Quotes to Explore
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Second, this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films.
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I'm more of a 5 Live man. But I might listen to a bit of Coldplay or The Smiths.
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What I do for a living is listen.
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Do not listen to the rhetoric from campaigns, but rather, hold everyone of us accountable, hold me accountable and every other candidate accountable to be a consistent conservative.
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We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting.
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Listen, a lot of religions have fundamentalists.
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My parents were quite strict; we couldn't just listen to whatever music we wanted. It was very much like they monitored what we listened to.
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But, listen, Eddie Merkyx would have won six Tours if he hadn't been punched.
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If one could only teach the English how to talk, and the Irish how to listen, society here would be quite civilized.
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Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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Tolkien is as good as Dickens at sketching a scene.
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If I can put on my album in a car or on my headphones and listen to the whole thing and love it, that's what I'm going to be happy putting out there.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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I love silence. But I usually only listen to that when I'm sleeping.
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My parents are really honest when they watch something. My nan is brutally honest. She'll tell me, 'Oh, you looked awful in that scene,' and I'm like, 'Well, I was giving birth at the time, so it probably worked with the character, Nan.'
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There's vultures out here. You need to listen and learn.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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People never grasp the fact that they're going to have to go through the same thing again. They get to the sort of five-year stretch or the seven-year itch or whatever these tension points are that seem to be organic, built in, like the tide coming in and going out. It's like every time the tide goes out you quit--you move your house or something.
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I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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Life is very hard, isn't it? It does kill you, after all.
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The payment of the worker is not determined by the value of his product.
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I think the intelligent thing about it is that you have to carefully listen to it all to grasp it, and because I'm not in every scene - colossal disappointment to everybody that it may be - I'm not getting the full picture here today while recording it.
