Paul Gauguin Quotes
The missionary is no longer a man, a conscience. He is a corpse, in the hands of a confraternity, without family, without love, without any of the sentiments that are dear to us. Emasculated, in a sense, by his vow of chastity, he offers us the distressing spectacle of a man deformed and impotent or engaged in a stupid and useless struggle with the sacred needs of the flesh, a struggle which, seven times out of ten, leads him to sodomy, the gallows, or prison.

Quotes to Explore
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As you probably know, I've written a lot about the presidency, so it's obviously exciting when you get to interview a president and write about it.
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You only get one chance in this thing called life. I know that is a bit maudlin and obscure, but it's a fact, and you can make a profound difference in people's lives without having a title in front of your name.
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I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.
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Some of God's greatest gifts are unanswered prayers.
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Empathy is a virtue, but it should not be a guiding judicial principle.
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We do not yet possess ourselves, and we know at the same time that we are much more.
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I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences.
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I love music. I still play cello a few times a week.
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It was never important for a wedding to be about anything other than me and my partner. A big celebration was never my cup of tea.
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Maybe it's a tired tale, but without an education, you're not going to go anywhere.
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It kind of varies according to what I'm doing and what my situation is, but, most of the time, I have no idea what I'm doing until the day of.
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I come from a long line of people that write. My folks ran a weekly newspaper.
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All souls are equal and alike and have the similar nature and qualities.
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I don't know about the whole song-and-dance thing. But if India will have me, the independent cinema scene there is something I'm really interested in.
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Time has shown that Paradise is not cheap, and neither is Hell unnecessary.
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I just got sick of not being able to raise money for a movie - that's what happens, so I just made my own.
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My politics are private, but many of my feminist politics cross over into my professional life.
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I just really like Houston despite its craziness. There is a sense of energy and a kind of excitement, 'We're going places and God knows what'll happen next.' It's very interesting. It's very exciting.
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There are times when I'm kind of anti-social, I'm just really shy, and I don't feel like I fit in, and I then attribute that to some emotional state that's crippling me.
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He could probably make you a cloud sandwich if you asked. Or a blancmange made of numbers.
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When writing 'Give and Take' and 'Originals,' the predominant emotion for me was curiosity.
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I don't think there should be anything that women are embarrassed to talk about in the 21st century, because for the last 100,000 years, men have said everything that's on their minds and described everything they have done.
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The missionary is no longer a man, a conscience. He is a corpse, in the hands of a confraternity, without family, without love, without any of the sentiments that are dear to us. Emasculated, in a sense, by his vow of chastity, he offers us the distressing spectacle of a man deformed and impotent or engaged in a stupid and useless struggle with the sacred needs of the flesh, a struggle which, seven times out of ten, leads him to sodomy, the gallows, or prison.