Paul Gosar Quotes
Quotes to Explore
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The problem that I think is reasonable to assert about Fox and its coverage is that they make up stories out of whole cloth and then make a big deal out of them.
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And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
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An explanation of cause is not a justification by reason.
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To many a man, and sometimes to a youth, there comes the opportunity to choose between honorable competence and tainted wealth. The young man who starts out to be poor and honorable, holds in his hand one of the strongest elements of success.
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I'm originally from Fort Lauderdale: that's my home town in Florida. So when I'm on location, I just get the packets from schools in Florida. And when I go to Florida, I go to Christ Church School.
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My family is weird in a very good way because I was always exposed to the arts.
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But we cannot rely on foreign help indefinitely.
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I don't have to be making a lot of money or living in a fancy house.
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I take the time to look at my videos after a fight to see not what I did right but what I did wrong, to learn from those mistakes.
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But I don't want some pretty face To tell me pretty lies All I want is someone to believe.
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But in reality the point of free speech is for the stuff that’s over the line, and strikingly unbalanced. If free speech is only for polite persons of mild temperament within government-policed parameters, it isn’t free at all. So screw that.
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I have kind of an almost religious feeling about poets. I usually refuse to meet them because I admire them so much. Except for Poe.
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In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
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There's a long way to go in the league. We've lost six points and we knew it would be difficult here. We have to think of our next match.
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We are what we do. Excellence, therefore, is not an act, but a habit.
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I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.
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With Maurice suddenly going, I realised... I think I've matured. I don't take things lightly any more.
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I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
