Niccolò di Bernardo dei Machiavelli (Niccolo Machiavelli) Quotes
Speaking generally, men are ungrateful, fickle, hypocritical, fearful odanger and covetous ogain.
Quotes to Explore
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From the day of its birth, the anomaly of slavery plagued a nation which asserted the equality of all men, and sought to derive powers of government from the consent of the governed. Within sound of the voices of those who said this lived more than half a million black slaves, forming nearly one-fifth of the population of a new nation.
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The antagonisms between men and women express themselves in the most delicate phase of their life together - in their sexual relationship.
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Being on 'The Sopranos' definitely prepared me for the militant secrecy of 'Mad Men.'
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In my generation, history was taught in terms of grand figures, men on whom the destiny of the nation hinged, quintessential heroes.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
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In a country where women regard themselves as equal, they are not prepared to see men running the show themselves.
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Men are what their mothers made them.
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It has always been a mystery to me how men can feel themselves honoured by the humiliation of their fellow beings.
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I've been dating younger men since my 20s, When I was 29, I dated someone 21... younger men are just more fun. I like their energy. I've always been kind of young for my age.
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Adversity makes men, and prosperity makes monsters.
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The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
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Landlords, like all other men, love to reap where they never sowed.
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When men come to like a sea-life, they are not fit to live on land.
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Beauty is what attracts men naturally, but really I think we dress for other women, not necessarily for men. We torture ourselves every single day, and I wish that we wouldn't because we should all just get along, really.
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There is a boundary to men's passions when they act from feelings; but none when they are under the influence of imagination.
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Today, as never before, the fates of men are so intimately linked to one another that a disaster for one is a disaster for everybody.
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The latest research has revealed that women have a higher IQ than men.
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The House is composed of very good men, not shining, but honest and reasonably well-informed, and in time they will be found to improve, and not to be much inferior in eloquence, science, and dignity, to the British Commons. They are patriotic enough, and I believe there are more stupid (as well as more shining) people in the latter, in proportion.
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Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
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I remember being disappointed when Papa had shown me Caravaggio's Judith. She was completely passive while she was sawing through a man's neck. Caravaggio gave all the feeling to the man. Apparently, he couldn't imagine a woman to have a single thought. I wanted to paint her thoughts, if such a thing were possible - determination and concentration and belief in the absolute necessity of the act. The fate of her people resting on her shoulders.
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Being a people pleaser is a fruitless task; love is love. There's no debating that concept.
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
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Speaking generally, men are ungrateful, fickle, hypocritical, fearful odanger and covetous ogain.
