Meredith Vieira Quotes
Quotes to Explore
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For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney – client privilege, and that would hamper my ability to mount an effective case.
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It is the ability to choose which makes us human.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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The most sinister aspect of Jack is his detachment, his ability to distance himself from his feelings.
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Everything has changed, and nothing has changed more than the world of fashion.
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I time everything. I'm a scientist at heart.
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Everything has to evolve. Music has to go somewhere. That's what keeps it fresh.
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If the gentleman has ability, he is magnanimous, generous, tolerant, and straightforward, through which he opens the way to instruct others.
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Men are taught that if we are not the ultimate provider, we are a complete failure. We have to be number one in everything we do. There is nothing more delusional or paralysing than what I have just described.
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Everything's cyclical. Having been raised by actors, I watched their careers, and the challenge is to take time off.
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One of the reasons I've been able to be productive is that I want to do everything.
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I get nervous for everything - literally everything.
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Art is Art. Everything else is everything else.
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We must improvise, and we must experiment, and we must do things that might go wrong, and everything we bring - the people and the equipment - must serve us in that goal.
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There's backlash about everything I do.
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It is easy to react if everything is going great.
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I like stories that leave you wanting more, leave you wondering, but don't tell you everything.
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There's only one Sabbath guitarist and he is the architect for everything, Tony Iommi.
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I knew, in the silence that followed, that anything could happen here. It might be too late: again, I might have missed my chance. But I would at least know I tried, that I took my heart and extended my hand, whatever the outcome. "Okay," he said. He took a breath. "What would you do, if you could do anything?" I took a step toward him, closing the space between us. "This," I said. And then I kissed him.
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Never put more than two waves in a picture; it's fussy.
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The pleasure that attaches to the artistic life comes in imagining what we might do as opposed to acknowledging what we have done.
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It is the anonymous "they," the enigmatic "they" who are in charge. Who is "they"? I don't know. Nobody knows. Not even "they" themselves.
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Do everything to the best of your ability.
