Gabrielle Reece Quotes
I live a very normal regimented life that focuses on my training and my private life so I squeeze the insane stuff in around that.
Quotes to Explore
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Fiji had experienced the ordeal of two military coups.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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Gymnastics, especially in my family, is more than a sport. It's our life, it's our careers, it's our family business.
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Going to hospital is rather like going to an alien planet.
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We live in a dark time. Books are as dark as what is available to teenagers through the media every day.
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The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
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The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.
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One has to have the courage of one's pessimism.
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I don't like cooking just for myself; I enjoy feeding other people, particularly outdoors.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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Good fiction reveals feeling, refines events, locates importance and, though its methods are as mysterious as they are varied, intensifies the experience of living our own lives.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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Multicultural markets are nuanced but not alien.
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I really feel that New York City is the greatest city in the world.
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Working with so many people from all over the world is extremely enriching and stimulating.
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What higher art does is to invite us in and allow us to make decisions.
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That's a comic cover's job: Attract someone's attention and persuade them to try the issue out.
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Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.
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For me, I went from showering at the YMCA in L.A., eating chicken sandwiches and ramen noodles if lucky, and going from couch to couch. I'm a real story. I know the struggle.
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There's only one life. There's no repeats. You only get one life, and you gotta take advantage of it.
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Everything that turned out well for me seems like a fluke. I feel like, at any moment, I could lose everything and be working at Dunkin' Donuts.
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'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.'
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You saw Britain back in the early days of sailing ships. They were the sea power, the controlled the seas and they had colonies all over the world and then you can look at history and watch the way that their empire kind of crumbled. I certainly don't want that to happen to the United States in space technology.
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I live a very normal regimented life that focuses on my training and my private life so I squeeze the insane stuff in around that.
