Paul Klee Quotes
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Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
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I want to be as though newborn. To be almost primitive.
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Color is the place where our brain and the universe meet.
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Democracy with its semi-civilization sincerely cherishes junk. The artists power should be spiritual. But the power of the majority is material. When these worlds meet occasionally, it is pure coincidence.
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First of all, the art of living; then as my ideal profession, poetry and philosophy, and as my real profession, plastic arts; in the last resort, for lack of income, illustrations.
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Colour has taken hold of me; no longer do I have to chase after it. I know that it has hold of me forever. That is the significance of this blessed moment.
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I want to be as though new-born, knowing nothing, absolutely nothing about Europe.
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Color and I are one. I am a painter.
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Everything vanishes round me and good works rise from me of their own accord.
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There is plenty of room left for exact experiment in art, and the gate has been opened for some time. What had been accomplished in music by the end of the eighteenth century has only begun in the fine arts. Mathematics and physics have given us a clue in the form of rules to be strictly observed or departed from, as the case may be. Here salutary discipline is come to grips first of all with the function of forms, and not with form as the final result … in this way we learn how to look beyond the surface and get to the root of things.
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Art should be like a holiday: something to give a man the opportunity to see things differently and to change his point of view.
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The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.
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By using patches of color and tone it is possible to capture every natural impression in the simplest way, freshly and immediately.
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I have a clear view of 12 years of history of my inner self. First the cramped self, that self with big blinkers, then the disappearance of the blinkers and the self, now gradually the reemergence of a self without blinkers.
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All art is a memory of age-old things, dark things, whose fragments live on in the artist.
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One does not lash hat lies at a distance. The foibles that we ridicule must at least be a little bit our own. Only then will the work be a part of our own flesh. The garden must be weeded.
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It is a great difficulty and a great necessity to have to start with the smallest.
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The worst state of affairs is when science begins to concern itself with art.
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Every artist would like to live in the central organ of creation... Not all are destined to get there... but our beating hearts drive us deep down, right into the pit of creation.
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In my productive activity, every time a type grows beyond the stage of its genesis, and I have about reached the goal, the intensity gets lost very quickly, and I have to look for new ways.
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Reduction! One wants to say more than nature and one makes the impossible mistake of wanting to say it with more means than she, instead of fewer.
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A certain fire pretends to be alive; it awakens. Working its way along the hand as a conductor, it reaches the support and engulfs it; then a leaping spark closes the circle it was to trace, coming back to the eye and beyond.
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In earlier times artists liked to show what was actually visible... nowadays we are concerned with reality, rather than the merely visible.
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To give emphasis only to beauty makes me think of a mathematics that deals with positive numbers only.