Harry Lloyd Quotes
Part of George R.R. Martin's brilliant storytelling is taking the carpet out from under your feet.
Quotes to Explore
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The devoted golfer is an anguished soul who has learned a lot about putting just as an avalanche victim has learned a lot about snow.
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In real life, I'm gorgeous, beautiful.
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My mother wrote a couple of romances when I was a kid, and I always saw books in our bookshelf with 'Schroeder' on the spine.
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Prepare a noble death song for the day when you go over the great divide.
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Scientists are doing an awful lot of damage to the world in the name of helping it. I don't mind attacking my own fraternity because I am ashamed of it.
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Even if it's a wonderful life, you wanna go somewhere and see the way other people reflect on the world and the lives that we're all living... I think regional theater is the life blood of our cultural lives.
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We live in a democracy, and people are free to sometimes choose the wrong leader.
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Crafting a piece of gripping, narrative true crime that engages the world is not that different from crafting a piece of crime fiction.
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The modern video games kind of - they're too three dimensional.
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Our responsibility is to determine whether the nominee is fit for the position ... and whether the nominee, in our judgment, will serve in the national interest, ... Dr. Condoleezza Rice meets that standard at least and much more.
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I get a kick out of watching him. Everything he does has that extra flourish.
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Look, miracles in the Middle East are a reality.
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Satyagraha is a process of educating public opinion, such that it covers all the elements of the society and in the end makes itself irresistible.
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Boasting, like gilded armour, is very different inside from outside.
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We all operate on different levels of awareness. Half the time I don't know what I'm doing.
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Nothing in the real world is as beautiful as the illusions of a person about to lose consciousness.
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I think that it's important for a film that's in 3D that the filmmakers create the movie from a staging and scene planning standpoint with the dimensional space as one of their storytelling components.
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Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.
