Judy Blume Quotes
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
Quotes to Explore
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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I did successfully kick tobacco at the age of 34. I smoked for like 20 years, from 14 to 34.
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For me, the whole process involves envisioning this book in my head as I'm working.
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I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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Politics is the one field you don't age out of.
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I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.
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I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young – most kids colored in coloring books, but I made money off coloring books.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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I have two daughters: One an open book, one a locked box. So the question of privacy is a challenging one. How much do kids need? How much should we give? How do we prepare them to live in a world where the very notion of privacy opens a generational chasm?
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There's a market for mysteries for adults. That feeling of opening a book and delving inside and not coming out until you've closed the book.
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You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
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My father, who was jailed for stealing on more than one occasion, just abandoned his fatherly responsibilities and disappeared. I grew up working from the time I was nine years of age. Money was a big issue everywhere I lived.
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My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
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My dad had premature gray. I was always the one with the most energy, the one who continued to practice longer. I ran up and down the stairs of different stadiums. I didn't feel the need to cover up the fact that I was losing my hair or it was graying. When you're on a team, age is only a factor when you're talking in the locker room.
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We started playing music from an early age and so we wasn't really aware of that side of it, the weird thing is the more successful you get the more free booze and drugs you get, they should be given to the bands who don't have the money.
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I'm having this disbelief and dissatisfaction with an establishment that feels like it's moving backward, and I think there's a similar feeling with everyone of my age and in the world of music and artistic stuff. Art is an important way those feelings get expressed and help people process their feelings and opinions.
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When I retired from the circus at the grand old age of 11, my parents thought it would be best to focus more on the challenges ahead, and so I started at Methodist College Belfast.
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She told fortunes for a living. It's a wacky book and was great fun to write. It is very much a look at what life was like for women in Australia in the 1960's.
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The principle of contradiction establishes merely the agreement of concepts, but does not itself produce concepts.
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If you agree to do a sex scene, you have to be willing to not be awkward about it. C'mon! I don't think of it as anything other than a dance, really. I don't see that person. I don't think of me being me.
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Which is more musical, a truck passing by a factory or a truck passing by a music school? Are the people inside the school musical and the ones outside unmusical?
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In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
