C. S. Lewis Quotes
The first demand any work of art makes upon us is to surrender. Look. Listen. Receive. Get yourself out of the way.
Quotes to Explore
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The views of religious-Zionist rabbis are of course worthy of being heard, yet they represent a very defined and very narrow camp within the Israeli spectrum. This is not the way to shape the perception of future division and brigade commanders.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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Work with some men is as besetting a sin as idleness.
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It became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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Art is always criticized and always an outsider gets the blame.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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If haters or whatever want to find you - I mean, some of them are so tenacious. You want to hire them to work for you. They're very, very savvy in terms of how they find you and get to you.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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My husband is not a jealous person in any way.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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When you make art, you get really invested in it. When art happens by accident and you were just along for the ride? It's way more fun.
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I work with all these amazing voice actors that do a kajillion voices.
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When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
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I’m no idealist to believe firmly in the integrity of our courts and in the jury system - that is no ideal to me, it is a living, working reality. Gentlemen, a court is no better than each man of you sitting before me on this jury. A court is only as sound as its jury, and a jury is only as sound as the men who make it up.
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All things change, creeds and philosophies and outward systems - but God remains.
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If things are not so good, you may be one to imagine something better. For me, I was able to imagine myself as in a role of greater importance than I would seem to be ordinarily.
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Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition.
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The first demand any work of art makes upon us is to surrender. Look. Listen. Receive. Get yourself out of the way.
