C. S. Lewis Quotes
The only way to drive out bad culture is to create good culture. We need to recognize that artistic talent is a gift from the Lord - and that developing those talents is the only way to create good culture.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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A healthy economics has got to have both conceptual, theoretical research and applied, empirical research.
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Who cares and remembers if my last film was a success? I need to work harder.
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I don't want to give people the impression that I'm an almost perfect human being.
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I live in a Mobile Home - I've never had a house, except once; I rented a log cabin.
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The spring wakes us, nurtures us and revitalizes us. How often does your spring come? If you are a prisoner of the calendar, it comes once a year. If you are creating authentic power, it comes frequently, or very frequently.
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I can't understand why someone wouldn't have a degree of sympathy for people that had to flee their country, travel to try and find their home somewhere, and nobody wants them. How could you not be a little bit sympathetic?
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Filipinos don't wallow in what is miserable and ugly. They recycle the bad into things of beauty.
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When I start a picture, I always have a script, but I change it every day. I put in what occurs to me that day out of my imagination. You start on a voyage; you know where you will end up but not what will occur along the way. You want to be surprised.
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The secret of happiness is to admire without desiring. And that is not happiness.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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Despite the demands of this job, one of the things my wife and I try to do is to spend time together alone. And one of the things we really enjoy doing together is seeing a good movie.
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I know basic things about belly dancing, but not the technicalities; I want to learn it. I want to learn belly dancing.
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I understand the common man because I understand me in that regard at least.
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I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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You'll see the most perfect person, and you are like, 'God, she's, like, perfect.' And then she'll tell you everything that's not perfect. Everyone has their own special set of problems - in their own minds.
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People think your success is just a matter of having a pretty face. But it's easy to be chewed up and spat out. You've got to stay ahead of the game to be able to stay in it.
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I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
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It is not the young people that degenerate; they are not spoiled till those of mature age are already sunk into corruption.
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It's a clique and I think a clique exists in every business. There's a circle of people that are guaranteed to open a movie and we all know their names and whether they're right or wrong for the role.
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You can't press a button to make Phil Mitchell jump over a turtle and land on a cloud (unless you've recently ingested a load of military-grade hallucinogens, in which case you can also make him climb inside his own face and start whistling colours).
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Once you follow a path of nonviolence and social justice, it won't take you long before you come into conflict with the culture, with the society. You can't know what is at stake or how much it is going to cost you until you get in the game. That's the only way, and the level of cost is equal to the level of involvement.
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The only way to drive out bad culture is to create good culture. We need to recognize that artistic talent is a gift from the Lord - and that developing those talents is the only way to create good culture.
