Jules Verne Quotes
Quotes to Explore
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The life ahead can only be glorious if you learn to live in total harmony with the Lord.
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Films are not the sole area in my life. Films are a passion. But it's not like I'll die if I don't get another movie. I'll grow, I'll flourish, I'll learn something new, but I'll always do something that I like. If I get the right film, I'll do it. I will not compromise for anything else.
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I suppose it's easy to play a hypocritical politician with a smiling face; it's also quite gratifying to play.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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When you cross over on fandoms, people don't know what to do with themselves.
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A traveller on foot in this country seems to be considered as a sort of wild man or out-of-the way being, who is stared at, pitied, suspected, and shunned by everybody that meets him.
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We have a George Foreman grill on the bus.
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I had done quite a bit of research about math education when I spoke before Congress in 2000 about the importance of women in mathematics. The session of Congress was all about raising more scholarships for girls in college. I told them I felt that it's too late by college.
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Small businesses want things streamlined, and one of the great successes we're having is less paperwork, faster turnaround times.
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My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
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We just couldn't seem to get the love from the Nashville awards shows... So Grammys really gave us validation, and so that's why they're such a big deal for us.
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When I go out, I love steak and caviar.
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There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
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A designer is only as good as the star who wears her clothes.
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One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.
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I think the hardest thing to do in a relationship is something for yourself.
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The fact is, I diet every day of my life. I have to work at it. But I diet so I can pig out.
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I wanted to only create a great perfume, not any perfume that would sell, but a great artistic one that the fans would not feel cheated by.
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The combination of the CGI, 3-D, and sound effects, it's just impossible to separate them. It gives you a more immersive experience, and I prefer that.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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I've learned that I shouldn't shrink from success. Though honestly I thought they'd be knocking on my door years ago.
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I wanted to make a massive work so as soon as Nick Mitzevich invited me I said yes straight away and began to make the work. The island was made in direct response. I used the diagnostic tool of Rorschach blots - something designed to extract and evaluate the dark and unconscious elements of our personality.
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All that is impossible remains to be accomplished.
