Harry Shearer Quotes
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I've been doing Nixon pretty much my whole professional life. I was in this comedy group called the Credibility Gap in Los Angeles when he was president. I was doing Nixon on the radio, and when we did live shows I physicalized him - if that's a word - for the first time. And then I did a Nixon sketch on a very short-lived NBC show called Sunday Best.
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As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.
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For a guy who is always banging on about the masculine virtues, Nixon had this remarkable proclivity for very dainty gestures.
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The theater business is very much about Hey, if you want our big blockbuster at Christmas time, you'll play our piece of crap in April."
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If absolute power corrupts absolutely, does absolute powerlessness make you pure?
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The act of getting married, stripped of the necessity to have a secure setting to raise children, seems to me no less grim than registering your emotions with the government.
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Anybody who says that having the public recognize them and relate to the work they do is irritating should get into another line of work. You're in this business for people to know what you do and like it.
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I couldn't help but be struck that this guy I had thought was the embodiment of everything wrong with American politics, a lot of his domestic policy was mind-numbingly, head-spinningly to the left of Obama's. It was under Nixon that the EPA was created. It was under Nixon that OSHA was created. Under Nixon that the Clean Air and Clean Water Acts were passed.
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I am one of those people who thrive on deadlines. Nothing brings on inspiration more readily than desperation.
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C. Montgomery Burns is much purer evil than Nixon was. I think it's the purity of his evil that attracts me as a comic character.
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Well Washington DC what are you going to do. They think the capitol steps are the state of the art in comedy. You try to drag them into the 20th century let alone the 21st and they refuse to come with you.
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Nixon's genius was that he was able to portray himself as the toughest of the anti-communists, and yet run on a platform that he had a plan to end the Vietnam War. And, of course, his plan was to prolong it until his second election - but he didn't tell us that then.
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I think Nixon says a lot about those times. It was possibly hard, in the '90s and early 2000s to understand the grip of fear that communism had on the country in the 1950s and 1960s - a fear Nixon rode like a endless great wave on the Pacific to high office. I'm sure, though there's no evidence of it, one of the things that rankled him down deep was that it was called McCarthyism and not Nixonism.
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I've got an odd, negative bond with C. Montgomery Burns. He reminds a lot of people of bosses they've worked for. He certainly reminds me of someone I'm working for.
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I went to graduate school at Harvard for one year I worked in the state legislature in Sacramento for one year. I taught school in Compton for two years.
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When I was growing up, we learned our history almost as lives of the saints. And it came as a shock, "Oh, Jefferson had slaves?" It always comes as a shock to us that elevation to the White House didn't somehow cleanse them of all their deep character flaws.
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The hardest work most of us do is maintaining the appearance of normality.
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When Nixon died, on my radio show I started doing sketches with three basic conceits: One, there's a place called Heaven. Two, Nixon got in. And three, he's still taping.
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When it moved to Friday night it disappeared, when they find another show that can do what The Simpsons does, they will be delighted to do cancel The Simpsons.
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You can get an awful lot of effects into the customer's mind for a great deal less time and money in radio than you can in television.
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I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself.
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I wasn't playing Nixon's satirical stick figure. I was playing Nixon the man. As an actor, I felt I had to get to the deeply flawed humanity of the guy.
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Here's a guy Richard Nixon who had no gift for small talk, never liked to be around strangers, was physically awkward, and he goes into the one business that calls for ease with strangers and a gift for small talk.
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I'm not sure that there's anybody else that's as psychologically complex and who's given us this window into his soul that Nixon gave us. That's what I find absolutely addictive and seductive.