Harry Shearer Quotes
Quotes to Explore
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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I want to work with the best coaches in the world.
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When I first stepped into literature twenty-five years ago, I wanted to work on behalf of the oppressed, the working masses, and it seemed to me, mistakenly, that I would not find them among the Jews.
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It is very difficult to work in another language, and it is also very challenging.
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As an actor, you're not kind of thinking about your own work or watching the movie for the first time.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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I'm not a writer where I feel particularly blessed by great inspiration every day. I don't. I have to work really hard at it to try and say the things I'm concerned with.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
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You find me at work; excuse the dust on my blouse. I sculpt my marble myself.
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If you're graduating from high school, and you come from a lower income family, you're effectively given two options. One is get a four-year college degree; two is work at a low-wage job, potentially for the rest of your life. We've got to do better on that front. We have to provide more options.
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Keep your dreams alive. Understand to achieve anything requires faith and belief in yourself, vision, hard work, determination, and dedication. Remember all things are possible for those who believe.
Gail Devers -
A film set is a workplace for me; it's my office, and nobody really wants to be in a stressful work environment.
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I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty. As a child, my entire childhood was steeped in poverty.
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I never work just to work. It's some combination of laziness and self-respect.
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I enjoy doing my work, and I don't want to deal with the other things. When you enjoy doing your work so much, why deal with where to show, how to show, what to do? If the artist finds the right gallery which respects their work and gives them that freedom to do whatever they want to do, the artist can focus on his work.
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There are new challenges every day when starting a business and growing a brand, but I'm fortunate to have an amazing team that is always willing to work hard and navigate through whatever obstacle comes our way.
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On a fundamental level - I know so many women in their 30s who didn't get married, or they did and it didn't work out, or they didn't have children because they were trying to get their careers going, or because they were expected to be independent, plus have a family. They didn't feel secure enough.
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The cutting room is where you discover the optimal length of the movie.
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The hardest work most of us do is maintaining the appearance of normality.
