Harry Shum, Jr. Quotes
When I came into the industry I started with acting and I did drama during junior high and high school. I fell into dancing as a hobby, but whenever you need work, you try out different things. So I booked a lot of jobs for dancing and it kept rolling and rolling.
Quotes to Explore
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I consider myself to have one of the greatest voices in the industry.
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You will never see me dancing around the trees, chasing a heroine; I will never do films, no matter what the budget, for the heck of it.
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I definitely don't want to do drama. I'm not looking to branch out into that world.
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No-Drama Obama? Yeah, that's not me.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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It's hard to do a reality show when there's so much crying and drama.
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I think there are some people who are just kind of born to create drama and then capitalise on it.
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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I studied drama.
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I moved to New York to go to Julliard Drama School. Didn't sing a single note of music.
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On occasion, a well-constructed drama can do what no reality or news program can do, what Shakespeare does brilliantly, is it can show both sides' opinions.
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I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.
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For me, art has to have two things to really blow me away: a strong concept and drama.
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Films have degenerated to their original operation as carnival amusement - they offer not drama but thrills.
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It wasn't my tennis that made me lose, it was a lot of different things going on, high drama, high emotion.
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When I got out of Yale Drama School, I was completely broke.
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Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.
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'The Invitation' is a meditation on grief and loss carried within a suspense drama. At its core, it's about a dinner party gone horribly wrong and about the consequences of denying our pain.
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A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.
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Employees want to believe their company has a meaningful purpose. They want to know that their own job is worthwhile. They want to make a difference. If all three of these conditions are accomplished, bottom line results will follow.
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Health care costs blunt the competitive edge of American entrepreneurs, from the auto industry to internet start-ups.
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Without question, intelligent technologies will continue to disrupt the world as we know it. There will be profound implications, both positive and negative.
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On sensitive issues, talk isn't cheap - it takes real courage to pry open topics nailed shut.
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When I came into the industry I started with acting and I did drama during junior high and high school. I fell into dancing as a hobby, but whenever you need work, you try out different things. So I booked a lot of jobs for dancing and it kept rolling and rolling.
