-
For some reason, Hitch wanted to do the longest dolly shot in cinema history. The idea was that the shot would begin with an assembly line, and then you'd gradually see the parts of the car added and assembled, and, all the while, the camera's dollying for miles along with the assembly line, and then eventually there's a completed car, all built, and it's driven off the assembly line, and there's a dead body in the backseat ... It was intriguing, but it had no place in the picture.
Ernest Lehman -
Pictures are written, acted, directed, photographed, edited, scored and all that. The screenwriter determines what scenes are in and what scenes are out; decides whether that bit of information is dramatized or just referred to; whether it takes place on or off screen. There are millions of decisions made by the screenwriter.
Ernest Lehman
-
You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
Ernest Lehman -
Only grown-up men are scared of women.
Ernest Lehman -
After all, the wool of a black sheep is just as warm.
Ernest Lehman -
Well, I went to [Hitchcock's] house every day for about three weeks, and I realized that every time I brought up the subject of Mary Deare, he would change the subject. So, I began to suspect that he didn't know any more about how to do the picture than I did. Finally, I went to his house one morning and said, "I've got bad news for you, Hitch. You'll have to get another writer. I don't know how to write this picture." And he said, "Don't be silly, Ernie. We'll do something else." And I said, "But what'll we tell MGM?" And he said, "We won't tell them a thing." And that's how it evolved.
Ernest Lehman -
But it is not at all unthinkable for anyone to tell a writer how to write. It comes with the territory.
Ernest Lehman -
Nothing happens for almost eight minutes and it still holds your attention.
Ernest Lehman