Errol Morris Quotes
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Everything is a reenactment. We are reenacting the world in the mind. The world is not inside there. It does not reside in the gray matter of the brain.
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Ecstatic absurdity: it's the confrontation with meaninglessness.
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In the case of The Thin Blue Line, I was surprised actually by many things. I was shooting down in Texas where the actual killer David Harris lived and I interviewed the town cop. He described these guys as being David Harris' partners in crime and even though they had criminal records and had committed crimes, they sued me! More often than not, the insurance company that protects you against this type of lawsuit will settle it with cash and contest it in a court of law.
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I've always wondered where explanations end and excuses begin.
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I'm really interested in self-deception. Really interested in how people live in bubble universes. How people can fail to see the seemingly obvious.
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We falsely interpret the world around us. We ignore evidence that doesn't support our prior beliefs and we convince ourselves we know things we don. We think we know things we don't know.
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We have more information - a glut of information - than ever before, and perhaps less knowledge. That's what's peculiar. And the only way you can deal with it, I suppose, is to make fun of it. I would rather watch Comedy Central for the news than I'd like to watch any other program on television. Maybe that shows you the state of affairs.
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Those who cannot condemn the past repeat it in order to remember it.
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The very idea of photography is as Oliver Wendell Holmes said in the 19th century, "it's a mirror with a memory."
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Truth exists independent of style. It involves all kinds of issues. Properly considered, it's a quest, a pursuit. To say that vérité is more truthful than something that is narrated is just misplaced. Completely wrong. And the fact that people still talk about it as though they're really talking about something... it puzzles me greatly. A moment of reflection about it tells you that it makes no sense!
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Forty years ago this country went down a rabbit hole in Vietnam and millions died. I fear we're going down a rabbit hole once again - and if people can stop and think and reflect on some of the ideas and issues in this movie, perhaps I've done some damn good here!
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People can burn archives; people can destroy evidence, but to say that history is perishable, that historical evidence is perishable, is different than saying that history is subjective.
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Long, long before I became a filmmaker I was talking to killers. Filmmaking was an after thought.
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This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa Dorfman and actually operate the camera. Well one of the cameras, because there were four cameras there.
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Certain kinds of intimacy emerge on a phone call that might never occur if you were sitting right next to the other person.
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You can't really trust anybody who doesn't talk a lot, because how would you know what they're thinking?
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Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
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I probably wouldn't have done Fred Leuchter story if it was just a story about an executioner or a holocaust denier, but the combination of the two elements was irresistible. So yeah, I find it strange that there are so many people out there now.
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Twenty to thirty years ago, who was making documentary films? Nobody. Well, relatively few people. It was an art form that had limited theatrical distribution, if any at all. Some television distribution, but relatively small audiences regardless. And in the intervening years it's become more and more popular with a lot of people.
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I asked Donald Trump if he had any advice for Charles Foster Kane and he said, "Yeah, get yourself a different woman."
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You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.
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I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes...? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.
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Maybe existence is ultimately a lonely thing.
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The pursuit of truth, properly considered, shouldn't stop short of insanity.