Esa-Pekka Salonen Quotes
Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
Quotes to Explore
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I think being idle is quite hard for me to do.
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You cannot tailor-make the situations in life but you can tailor-make the attitudes to fit those situations.
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My parents, particularly my father, had been used by commentators, political journalists and political commentators, to attack me, and the collateral damage was the reputations of my father and my mother.
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You lose the speed before the stamina.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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Rajneeshism is creating a Noah's Ark of consciousness, remaining centered exactly in the middle of the cyclone. You can only escape within, and that's what I teach. I do not teach worship of God or any other ritual but only a scientific way of coming to your innermost core.
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Einstein's results again turned the tables and now very few philosophers or scientists still think that scientific knowledge is, or can be, proven knowledge.
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I have learned that to have a good friend is the purest of all God's gifts, for it is a love that has no exchange of payment.
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If Madonna asks anybody to go and hang out with them for a month, they'd all do it.
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We have met the enemy and he is us.
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I get strength from my art - all the paintings I own are powerful.
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No matter what I have to say, I'm still trying to say it in comedic form.
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I can honestly say that I've done everything I've wanted to do, always. Not without difficulty. But every time I wanted to do something, I just did it, from the age of 18 when I started my own theater with my friends. When I decided I wanted to act. I just bit the bullet.
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The Jesuits I know who have died and all their lives were great teachers, they're the least remembered people.
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For me, when I start a novel, I only have a general sense of what I am going to do - usually three or four big scenes or something to which I can really respond emotionally.
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When I was 19 and dropped out of college for several months, I lived for some time with my grandmother.
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This kind of art - the dystopic future kind of art - is designed to make you uncomfortable.
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I believe that we can, in a deliberate way, articulate the kind of people we want to become.
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I think a lot of times people look at me and say, 'Well, we can't possibly hand a show over to her to run.' It seemed like executives would be worried about me controlling a room and having power, and I'd say, 'Oh, I can control a room. I can give an order like nobody's business.'
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If a big number of young pupils felt secularism was an attack on them, it was because the term had been misused and deformed in the public debate for years by the extreme-right and the right as an attack on Islam. The term had often been misused to point out how Muslims were different to others, and that is clearly problematic.
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In the early 1950s, during the near avalanche of discoveries, rediscoveries, and redefinitions of subcellular components made possible by electron microscopy, those prospecting in this newly opened field were faced with the problem of what to do with their newly acquired wealth.
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Great cultural changes begin in affectation and end in routine.
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In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.
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Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
