Essie Davis Quotes
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I'm a fan of mindfulness, and if colouring in is a way of reaching mindfulness, then I think it's great. But I'm amazed that anyone has the time to do that. I certainly don't.
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I think every character rubs off on you a little bit.
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I want to have the great roles that move people profoundly. I want to have the choice and be given the opportunity to play those roles, and unfortunately, fame plays a huge part in that.
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I've had really a great choice of roles that have been very different from one another. And I think I kind of set out to do that when I began my career - to aim to never play the same thing twice.
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I love Australia and loved growing up here, and that's something I don't want to deny our children, but it's difficult sustaining a career in Australia.
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Film directors don't come to the theatre in Sydney. In London and New York, they do.
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I was terrified of being a mum because I didn't think I'd ever be grown up enough.
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I want to carry a really great role in a great film.
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I miss my friends in London, and I really miss New York. But I also miss the stability of staying in one place and being able to just open a drawer if you've run out of sticky tape and chuck a new roll in the holder.
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There are many books that I love dearly, and I've seen many televised or film recreations that I just haven't thought were up to scratch.
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I always knew I wanted to go to NIDA. I think I was very fortunate, and I do doubt myself often, but I didn't see any possibility of me not going to NIDA. I believed in myself, and I believed that, if you really do want something, you get it.
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I used to buy things for every hotel room or every place I lived in to make it feel like home.
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I'm just a very fortunate actor who has not been typecast.
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It's nice being married to somebody who thinks you've got something better in you.
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I often get mistaken for all different kinds of ages; some of them flattering, some of them not.
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Sometimes it's easy to do brave things in front of a thousand people, but it's hard to do them in front of a handful. It feels so much more exposing.
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There's something great about being on location with a bunch of people - there's a camaraderie and intimacy that builds up over time.
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Awards and nominations really help sell films.
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'The Slap' is not like anything else. It's an incredibly well-written novel that has been turned into a great and intriguing series that reveals both less and more about each character than you learn in the book. It's a novel that has been given a second chance to live.
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I would love to get a job in France!
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'The Custodian' was my first film, and there were so many lessons to learn in that week. It was really fun, but for me, I look at it as a training film, and I'm not really proud of my work in it.
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Even though I love fashion and the red carpet dresses are a great, fun, glorious thing, I don't really have my finger on the pulse, as Phryne Fisher does, of the fashion industry.
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There are some jobs that you go for because achieving them would take your career in a direction that you would like it to go, but mostly, I want to play the roles and have had the great good fortune and opportunities to play some fantastic roles and been very, very fortunate.
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I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.