Estelle Parsons Quotes
People who call themselves actors and can't ever get work; they do need to get another profession.
Quotes to Explore
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I get recognized so much. It happens mostly when I'm in Starbucks.
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It's a vanity to think that a legitimate shamanistic experience can be purchased.
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With a gentleman I am always a gentleman and a half, and with a fraud I try to be a fraud and a half.
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Certitude is not the test of certainty. We have been cocksure of many things that were not so.
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I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
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I know that I have to give testimony about all the things I lived, but I need time.
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He's really sort of the devil. He's completely emotionally detached. He has no empathy. You find that in psychopaths. It's about power with Voldemort. It's an aphrodisiac for him. Power makes him feel alive.
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Great men always pay deference to greater.
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I try to do things I love or care about for some reason.
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My first gig was a Corn Pops commercial. I did the first Vanilla Coke campaign. A Juicy Fruit commercial paid my bills for years.
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It is only when there is the supervision and critical oversight from the people that the government will be in a position to do an even better job, and employees of government departments will be the true public servants of the people.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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Sometimes I feel like a man; sometimes I feel like a child.
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What we aim to do, through public pressure, is help the environment protection bureau to enforce the law.
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I'm very inspired by past music.
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I quickly learned that reading is cumulative and proceeds by geometric progression: each new reading builds upon whatever the reader has read before.
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Democratic, Republican members of Congress get along fine. But what you have is this institutional Hatfield and McCoy sentiment coming from our constituents, where the base of both sides doesn't want people to get along. But the majority of Americans, I feel, the majority, they are in the middle. They actually do want both sides to get together.
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It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.
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I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
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I was too big to even contemplate exercise. I had to use a walking stick and a wheelchair to get around.
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There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
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So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera.
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People who call themselves actors and can't ever get work; they do need to get another profession.
