Esther Hicks Quotes
Give them a conscious understanding of how powerful and important and valuable and perfect they are.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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I've got a couple of bands that I'm working on. The one I'm really excited about, we're called London The Child. It's folky music and it's really cool.
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Women are, in general, less shallow visually. If their man gains 10, 20 pounds, they don't care as much. But I've been with women over the years when my weight fluctuated, and they're definitely more interested physically when I am in really great shape.
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I drive a car, like an adult. Not brilliantly. I'm not great.
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I ain't just collab-ing with anybody. Because I don't care about making friends. I got enough friends.
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I love gardening, and I love cooking. I love things like that. I love creating things.
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You can't show up at the bedside and then turn on your skills. You have to keep your game sharp all the time.
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If I do a song where I'm angry, when it's time to perform it live I'm not mad, I'm happy. I'm at a concert. But I have to somehow drum up that rage. That's acting.
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When it's all said and done, I want to look back on my career and say I did numerous things.
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The fact of the matter is that the government is there to protect the people.
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I think about baseball when I wake up in the morning. I think about it all day and I dream about it at night. The only time I don't think about it is when I'm playing it.
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I always wanted to be known as the Norman Rockwell of television, and 'Happy Days' represented the part of me that wanted to make mainstream America laugh.
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When dictators feel their support slipping among adults, it is not unusual for them to alter school textbooks in the hope of enlisting impressionable youths in their cause.
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Let me never fall into the vulgar mistake of dreaming that I am persecuted whenever I am contradicted.
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(On her work in Keep Your Powder Dry) I didn't want to do it, but they said if I did it they would give me Undercurrent with Robert Taylor. Then they gave Undercurrent to Katharine Hepburn, so I left MGM.
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The clock ticked with empty urgency, as though trying to catch up with the time. In the street a siren howled.
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When you first arrive in India, you think, 'God, these Indians treat their servants so badly! How awful!' It's something in the air, and something about the way people are, that very few people hold out. I wasn't able to. Everybody goes local. You stop saying 'thank you' and things like that.
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When my mother did fittings for her clients, I was hiding, looking at these beautiful ladies try on these fantastic clothes. I was dreaming as a small child to try these clothes on myself.
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I've got an overly developed sense of what selling out is, and I of course worry about it too much.
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We have allowed an unholy alliance of government - the new monarchy - and corporate influence - the new aristocracy - to take control of events in a way that would have made our Founders shudder.
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The 8th Habit, then, is not about adding one more habit to the 7 - one that somehow got forgotten. It's about seeing and harnessing the power of a third dimension to the 7 Habits that meets the central challenge of the new Knowledge Worker Age. The 8th Habit is to Find Your Voice and Inspire Others to Find Theirs.
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We need financial measurements for sure—but we don’t need them for their own sake. We need them for two different reasons. One is control; knowing to what extent a company is achieving its goal of making money. The other reason is probably even more important; measurements should induce the parts to do what’s good for the organization as a whole.
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They shut down kids' homes, for a number of reasons, and I was part of that transition into foster care. That's all well and good if it's populated by people who feel their work is paid decently and supported.
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Give them a conscious understanding of how powerful and important and valuable and perfect they are.
