Haruki Murakami Quotes
If writing novels is like planting a forest, then writing short stories is more like planting a garden.
Quotes to Explore
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
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We need to make clear the federal government does not have authority to indefinitely detain U.S. citizens without due process or, for that matter, to use lethal force on U.S. citizens on U.S. soil if they don't pose imminent threats.
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Playing different characters in different films helps keep you excited about what you do. It always seems like a whole new adventure.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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The Arab representatives and their followers were not interested in the persecuted millions throughout the world; they were fixed on a political agenda that distracted the world from their own serious shortcomings in the human-rights department.
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I played a million different sports when I was growing up. I started when I was probably five or six, and we'd just go from activity to activity to activity. I think, finally, my parents just realized that we were missing something in our lives. They realized that it was time for us as a family to start going to church.
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I can afford to say what I wish.
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I started making music videos in my twenties and made my first feature, 'Guncrazy,' at 29. I then spent the greater part of my thirties directing features.
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I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
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I'm the only person that has ever run a principle-based legislative body.
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'When will they fight?' I asked.'Tomorrow. Daybreak. It is man’s work.'I laughed. 'I too have fought and killed, Kotta. It is the work of fools, not men.'
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I lived near Santa Cruz for ten years, and the whole time, it bothered me what an exclusionary definition of 'inclusion' was in force. Social censure was applied to those who expressed unpopular or uncomfortable ideas.
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In fact, I was one of the few trusted people that Lucy allowed to play with their kids. I spent time at their summer home, rode horses at their ranch, and swam at their beach house. I even spent a Christmas with them at Palm Springs one year.
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'Sag Harbor' brought me a new readership - it's a coming of age tale about growing up in the '80s.
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I made myself into a poet because it was the first thing I really loved. It was an act of will.
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I like all of the books I work on to be ones you can pick up without knowing the entire history of the character, because then, not only can you enjoy it as is, but it encourages you to look into the history of that character and their world.
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In 1985, I joined my mother in a protest against apartheid in which we were arrested at the South African embassy in Washington, D.C. And she was at President-elect Mandela's side in Johannesburg when he claimed victory in South Africa's first free elections.
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I think, in some ways, I like it when people tell me what they're thinking. I would rather have it that way than masquerade as if you're totally unbiased and objective.
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Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
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In the rural South, you have a town of 30,000 people and everybody's pretty much thrown on the same pile of doo-doo. You just learn to make the best of it and live with one another.
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When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.
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It's an interesting point about sisters not getting the same attention as parents and children, and even brothers. I suspect it's just because women didn't count that much and weren't the ones writing the accounts.
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I took an MA course in creative writing a couple of years back, and I was definitely in the bottom of the class.
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If writing novels is like planting a forest, then writing short stories is more like planting a garden.
