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A poet might die at twenty-one, a revolutionary or a rock star at twenty four. But after that you assume everything’s going to be all right. you’ve made it past Dead Man’s Curve and you’re out of the tunnel, cruising straight for your destination down a six lane highway whether you want it or not.
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One last word of advice, though, Mr. Okada, though you may not want to hear this. There are things in this world it is better not to know about. Of course, those are the very things that people most want to know about. It's strange.
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Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution because it follows 67?
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Sometimes when I'm with you, I remember things I lost when I was your age. Like I remember the sound of the rain and the smell of the wind.
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As we go through life we gradually discover who we are, but the more we discover, the more we lose ourselves.
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It is the same with anything - you have to learn through your own experience, paying your own way. You can't learn it from a book.
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And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero. That's the city.
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There are lots of things we never understand, no matter how many years we put on, no matter how much experience we accumulate.
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I’m just kinda tired. Like a monkey in the rain.
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No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.
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All over the world people have developed their own ideas about what's right and wrong in life, but so long as you aren't harming others or the Earth, it's your choice when you decide how you want to live your life - Yours and yours alone. Life's no piece of cake, mind you, but the recipe's my own to fool with.
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No matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away.
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Listen - God only exists in people's minds. Especially in Japan, God's always been kind of a flexible concept. Look at what happened after the war. Douglas MacArthur ordered the divine emperor to quit being God, and he did, making a speech saying he was just an ordinary person. So after 1946 he wasn't God anymore. That's what Japanese gods are like--they can be tweaked and adjusted. Some American comping on a cheap pipe gives the order and presto change-o--God's no longer God. A very postmodern kind of thing. If you think God's there, He is. If you don't, He isn't.
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It’s precisely because of the pain, the we can get the feeling, through this process, of really being alive—or at least a partial sense of it.
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But if something did happen, it happened. Whether it's right or wrong. I accept everything that happens, and that's how I became the person I am now.
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What the world needs is a set villain that people can point at and say, “It’s all your fault!
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We're both looking at the same moon, in the same world. We're connected to reality by the same line. All I have to do is quietly draw it towards me.
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I've always liked libraries. They're quiet and full of books and full of knowledge.
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I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run.
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She was truly a beautiful girl. I could feel a small polished stone sinking through the darkest waters of my heart. All those deep convoluted channels and passageways, and yet she managed to toss her pebble right down to the bottom of it all.
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Has the dark shadow really disappeared? Or is it inside me, concealed, waiting for its chance to reappear? Like a clever thief hidden inside a house, breathing quietly, waiting until everyone’s asleep. I have looked deep inside myself, trying to detect something that might be there. But just as our consciousness is a maze, so too is our body. Everywhere you turn there’s darkness, and a blind spot. Everywhere you find silent hints, everywhere a surprise is waiting for you.
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We knew exactly what we wanted in each other. And even so, it ended. One day it stopped, as if the film simply slipped off the reel.
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My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves.
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In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.